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SONY XA5400ES - Preliminary Observations

As I previously mentioned, I bought this from American TV on Audiogon (they are an authorized dealer for this product; I registered unit and store name came up on Sony list)almost on a lark, skeptical of the maniacal rave reviews but wondering whether just this once . . . .

I will be moving back to NYC later this year and am thinking about how I can reduce number of components to save space. I compared the SONY (on RBCD only) to my CEC TL-1X transport (modded by RAM), with balanced Stealth Sextet digicable to balanced input on my trusty Dodson 218 DAC. EPS 2S PC on transport; Valhalla PC on Dodson, both run through an Audience AR6 conditioner. The transport-cable-DAC combo-PC combos totals some $20K, when new. I am running Valhalla IC's from Sony to my Wyetech Opal Pre (the Sony sounds awful with Stealth Indras; have no idea why)and amusing a LessLoss Sig PC (which I like a lot).

The ravers raved about 500 hrs of burn-in for Sony to sound its best. I don't know if that's true, but it has improved considerably over the 150 hrs or so I have burned it in. It started off way too dark, vague and murky -- almost unlistenable -- but has loosened up, detail has improved, vocals have become clearer and more natural and bass has tightened somewhat, but still is a bit loose and muddy. The preliminary verdict (pending another 100-150 hrs of burn-in: this is an outstanding CDP that fights way way above its weight and which I enjoy listening to and could be very happy with -- and it does not suffer terribly in comparo with my usual setup. My usual combo sounds more natural and realistic, with better detail and clarity, and tighter if not deeper bass than the Sony. Highs are airier and cleaner. The improvement, however, is not jarring; it is, however, definitely noticeable. The Sony is darker, with vocals a bit huskier and strings much warmer, perhaps too warm at this point. But as I said, if I did not switch to my usual combo, I would enjoy the Sony immensely on its own merits. It dors have a smooth, organic presentation and if it sins it is on the side of warmth rather than clinical digital detail. For what the Sony costs, anyone who was considering spending up to $5K or so on a CDP should listen to this first. I only have one SACD and will try that soon, but really cannot comment on its merits as an SACD player.

Will check in again in about a week or so to tell if there is anything to add. I would have no qualms about admitting it's as good as my combo, but remain skeptical it will ever reach those rarefied heights.

Sorry for being so long-winded, but this has been a fascinating exercise for a long-time audiophile and anyway, I am a lawyer, so what would you expect?

Neal
nglazer

Showing 2 responses by richardfinegold

richardfinegold
196 posts
 
I gone mine from American Theatre as well and began using it two days ago. I had (still own) the previous incarnation of this player, the ES9100, which sounded fantastic (particularly with multichannel SACD) via the "i-link" to a Sony compatible receiver. Via it's analog outputs, the 9100 was nothing special.
The Sony receiver died on me, and I replaced it with an Onkyo that will play all the new high rez movie formats but doesn't have an i-link. Frankly, I had forgotten just how ordinary the 9100 sounded via the analog outputs. Whike I enjoyed the Onkyo with my Blu=Ray, the degredation of sound in the 9100 was unacceptable. I decided to buy the 5400 which Kal Rubinson waxed so lyrically about.
I must still be in the burn in phase. It is almost unlistenable now and I hope that with further use it picks up. Interestingly, the analog outputs don't seem to work, although CDs will play via HDMI (and sound much better than SACD right now).
richardfinegold
196 posts
 
I was asked on 2/05 if I thought American Theatre sold me a defective unit. I did not mean to imply that.
The unit has been steadily improving in the past few weeks. There is a break in period.
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