Sam here and this goes much deeper than i ever thought.


As you read this with an open mind it will make sense. l bought a high quality emf/rf meter so i could measure the dangerous amounts of emf/rf radiation coming from various appliances and 5g wireless in full swing here in kansas. what i discovered was the wiring within the walls of my apt, are emitting dangerous amounts of dirty electricity including very high rf levels and when ever i re-encoded audio on my desktop pc the dirty emf and rf would be encoded onto the digital audio ruining the sound quality.That got me to thinking if you have a commercial cd or digital download or a streaming service playing digital or a new remasterd vinyl album cut from a digital source it will have dirty emf and rf frequencies encoded onto the album along with the music and this would explain why digital sounds worse than vinyl cut from an analog master. now here is where it gets crazy? using my emf/rf meter for testing i discovered that when you listen to digital audio or streaming digital audio including vinyl cut from a digital source and the device you're using to listen to the audio becomes a broadcast antennia with all the emf and rf frequencies that were encoded onto the digital audio when it was originally encoded by the record companany are being amplified by your device and broadcast surounding you in dangerous levels of radiaton and the only way i could get the levels down to safe levels is to re-encode the digital audio using a shungite stone to absorb the dirty electricity and keep it from encoding itself onto the digital audio and the sound quality is 100% better.
guitarsam

Showing 1 response by buckhorn_cortez

Hypersonic frequencies are defined as those above 20 kHz.   A CD, and a lot of digital audio media, are limited to 22.05 kHz as that is the Nyquist frequency that is 1/2 the sampling rate of 44.1 kHz.  Interestingly, the 22.05 kHz CD limit is just slightly higher than the 20 kHz limit of most audio tape recorders used by recording studios.

Granted, there are systems like RADAR that could record at 96 kHz and 192 kHz, but when reduced to a CD or other digital media, it still comes out at a maximum of 22.05 kHz due to other bandwidth limitations.

Using the theory of Occam's Razor as a guide, it makes more sense that recording (music) companies would work within the bandwidth limits established by the recording equipment and industry standards rather than conspire with a totally unrelated industry (pharmaceutical industry) for a, yet to be defined, provable reason.

Since digital has a fixed upper frequency limit, I really need a thorough explanation as to HOW hypersonic and especially EMF is encoded onto a digital recording.   EMF is measured in Volts per meter (V / m) being radiated.  HOW, exactly, can an audio speaker, headphones, or earbuds generate an electromagnetic field that can be measured in Volts / meter?