Rogers LS35A - Stradivarius? Or Sentimental Hype?


I remember these from my audiophile youth and thought that they sounded quite good, if a bit thin.

In any case, I always thought they would make a nice monitor for a smaller room or bedroom, but then I am always shocked at the resale prices, especially for very good ones.

As I write, there is a pair on ebay which is already bid up to GBP 1,000 which I am pretty sure is a lot more than they cost new?!

So my question - what is so special about this monitor in its original configuration?

Do the best mini monitors today give these a good run for their money -- especially in the area of midrange magic?

If they really are so wonderful, why doesnt someone knock them off in China for a fraction of the price?

Are these really a big deal, or are collectors just being irrational?
cwlondon

Showing 1 response by tedr227

They were designed by and made for the BBC.
The BBC uses three types of monitor loudspeakers:
#1 large full range for music production: 12 inch woofer 2 way or 3 way design, big ported boxes on stands. These cover the full musical range including the lowest octaves.

#2 medium size two way for speech and light music production, medium size ported boxes on stands. These do not cover the bottom octave or two but are otherwise the same as #1.

#3 small size two way design for speech and occasional light music, small boxes on stands. These have weak bass but for speech that is not a problem. The major quality is natural reproduction of speech.

The LS3/5 design was #3 twenty five years ago. The current BBC requirements are being met by HARBETH among others. I own Harbeth Monitor 30s which are category #2. They are first class.