Records are getting noisy


I asked this as part of someone else's string last week, but I am getting a little more irated every day with this problem. Some of my new vinyl (bought within the last year) is starting to get lots of pops and cracks. Not scratches, not skips, just pops and clicks. Drives me crazy.

All records are cleaned with VPI 16.5(Walker method right now, and steamed if the problems doesn't get any better), machine and tubes are working perfectly. All records then get ZeroStat after cleaning and put into MoFi sleeves. Records are then cleaned with an Audioquest brush prior to playing.

I have even tried Gruv Glide, and no change on certain records. I am listening to one of my all time favs right now, Shelby Lynne "Just a Little Lovin" and it's driving me crazy. The record is clean, has always been well cared for, and now it's a crackin, poppin, annoying mess!!

What have I done, and how do I fix it???
macdadtexas

Showing 3 responses by syntax

Vinyl quality became inferior, Quality control is not on par, I stopped buying new records last year. The RCM can't compensate it when the Vinyl itself is noisy (in the grooves or in the mix).
The better your System is, the more frustrating it will be. Buy some records from the 80's, you can play them endless without any noise. There you can hear that your System is ok.
I tried a new one this year, that's

A good one

I hope, it will not become noisy after some runs.

Do you have the double Lp or the 4 single side Lps of Alexander Gibson?

Hi,
the one in the Picture is the latest from CR, Gibson in 45 Clarity Vinyl.

I have the first 180gr Reissue in 33rpm, the 45 set in 180gr, the 200gr pressing I avoid whenever I can, and that one is their latest.
It is - in my opinion - worse than the ones above.
Ticks and Pops are in the grooves, even with my RCM I can minimize it, but some are still there. But it is more silent than than the latest before.
I think, the Vinyl they use is good, but the cooling process.... is not made from someone who takes care or knows how to do it really right.
From the Sound, well, when you don't know the others, it is good. But I am not really moved. You hear the limitations in the High Frequencies, it is not from the Mastering, I think, it is the old tape (or a played to death copy from it. How long does CR offer this record now? 14 years?)