Philosophy: Bearing vs. Unipivot


I was looking at the VIV Rigid Float arm on AG today, and a couple of things struck me. Obviously, the primary one is that there is no arm offset on this arm, no overhang, no need for anti-skate. But, secondarily, I can really follow Ivor Tiefenbrun's thoughts on the Linn turntable: any relative motion between the stylus and the groove harms the sound. Stable bearings, whether gimballed or not, solve this situation. But there are so many unipivot arms out that are well-thought-out and well-regarded, including the aforementioned VIV.that there must be something more going on with them than there used to be, because there just HAS to be more relative movement with a unipivot arm than one with bearings. Someone please educate/enlighten me...
benjysch

Showing 3 responses by atmasphere

?? I'd be interesting in seeing how that applies here.

I don't like unipivots because the bearing is so easy to damage. I've never seen an older one come through the shop that did not have a damaged bearing. It is the Achilles heel of unipivots.

Its not like gimballed arms are perfect. Damage to their bearings is a problem too. Some manufacturers solve it by leaving some slop in the bearings, which can cause coloration. Others like SME, use larger bearings that are harder to damage (and have more sticktion). Triplanar uses a small bearing that is ultra-hard, in fact the hardest made, which is why they have consistent performance year in and year out.

I also prefer gimballed arms because they hold the cartridge in better locus with respect to the groove itself.
I owned a Rabco for years. I set it up with an opamp to sense the feeler contacts to reduce noise (I got tired of the feelers not making good contact, which would result in the arm lifting off at random points on the LP...) At the same time I also integrated the output response so it would ramp up slowly and ramp down slowly.

The result is that the motor was always turning. This reduced the "error" (BTW Rabcos have **way** less error than radial tracking arms) by about 1.5 orders of magnitude- the arm would find the horizontal cutting speed of the LP and track with it. It was really easy to do.
Groove spacing is in fact what I mean when speaking of horizontal speed. Many records are in fact cut with a constant groove spacing but most are not. At any rate, the arm can be made to track the variable groove spacing with no worries.