opinions on favorite cartridge


I have a number of cartridges to use, so much so that choosing between them has become somewhat difficult. I know, I know, many would wish they had that problem. But when you have a number of very decent cartridges, the differences are very minor. This is what I have,

Monster Alpha 2
Monster Genesis 1000 with Soundsmith ruby cantilever
Madrigal Carnegie One with Soundsmith ruby cantilever
GAS Sleeping Beauty
Benz Micro Glider II
Accuphase AC-1 with soundsmith ruby cantilever
Sumiko Talisman S with Soundsmith ruby cantilever
Dynavector 23rs
Dynavector 17d2
Dynavector 23r
Ortofon 2M Black
Clearaudio Aurum Beta Wood
Coral 777 EX
Sumiko Evo III

For any of you that have heard these cartridges, do you have a favorite and why. Each of these has an area that they excel at, and I currently am using the Monster Genesis and Benz Micro Glider II on my two main tables. Both are being used with SME 309 or 345 arms into either a PS Audio GCPH or SimAudio LP5.3 on an Oracle Delphi Mk IV or Transrotor Fat Boy

Any thoughts
manitunc

Showing 4 responses by manitunc

I guess its hard to get an answer to my original question, and as usual, people think they need to answer questions not asked, but I will try to address those concerns.

First, I have all these different options because I was able to purchase them at extremely good prices, used of course. In some cases, I was the only bidder, at a very low price, and didnt expect to win, but I did. I doubt that my entire investment in cartridges would equal the price of a Titan at retail.

While some of you may have good memory retention for the sound of components, I guess I dont. If I started to test each combination I own, by the time I got to the last one I would have no idea what the first one sounded like. And sometimes I just like the sound of a combination for no particular reason other than I like it. So I use that combination for a while until I get a wild hair and try something else, or another great deal comes along.

While it may seem that I collect, rather than enjoy, I can assure you I have spent much more on vinyl than I have on equipment, and have well over 5000 albums, even after getting rid of my albums back in the 80s when I bought into the CD myth. Havent bought a CD in more than 15 years. I spend a lot more of my time listening to music than I do fiddling with equipment.

That said, I do appreciate the workmanship involved in building a turntable, and the craft involved in cartridges and tonearms. You will notice from my system description that many of my items are vintage and were state of the art when they were first released. Not having the ability to listen to higher end equipment locally, I have no way of knowing how much difference any upgrade would provide.

I dont need someone to tell me what I want to listen to. I was just asking for opinions from the wide range of members here who may have more experience with these cartridges than I do. I have enjoyed each and every one of the cartridges listed at one time or another.

I do agree that I should probably trim down my collection, but I'm not in any hurry to do so. I am building a 3 arm DIY table just for fun and maybe testing purposes. One of the arms will be a Sumiko MMT with removeable headshell for quicker comparisons. The other two arms will be a Roksan Tabriz, Rega RB300, Grace 704 or Linn Ittok.

I am interested in the comments regarding upgrading the phono stage before upgrading a cartridge. I do find the SimAudio and GCPH to be much better than anything I used before, and the GCPH with remote runs straight into my amp which I like, along with its many loading options. There arent many phono preamps that have a volume control, easy loading options and a remote.

So, any more thoughts on my original question?
I guess I am not asking the question so that someone else can make the decision for me as to what to keep and listen too. I am asking the question just for general knowledge sake, and perhaps to help other members who might be considering any of the cartridges mentioned.

I have Marakanetz telling me the GCPH is good enough for any cartidge available, and Goatwuss telling me there is a large gap between the GCPH and a decent sounding phono preamp.

I will probably buy one or two higher end cartridges next, possibly a Cadenza Black or Dyna Rua II or Lyra Delos. I do agree that if you just want to buy and forget, you are better off getting the best you can afford up front. There is no cost saving to making small upgrades along the way. It may be fun, but not economically efficient.

Goatwuss, what phono preamp would you recommend. The Aesthetix has piqued my interest, with its remote, balanced inputs and external loading options.

Goatwuss,

The problem is that I have no opportunity to hear these products either in my system or anywhere else unless I just buy them and then try to sell if I dont like it. At $3000 a pop or more, that's not something I am likely to do unless I am convinced of a products superiority or bang for the buck.

Have you heard any of the modifications to the GCPH and how would you compare it to the Simaudio LP5.3?

Where do you think the price line is for diminshing returns for a cartridge. Is a $3000 cartridge appreciably better than a $1500 one?
onetwo,

Thanks for your thoughtful reply. Is it really that difficult to just answer the question posed, or is it just necessary to comment negatively because you can.