Opinion on SME 15


I posted this on another forum, but thought I might have more luck here.

I'm thinking of replacing my VPI TNT with a final turntable to see me into the foreseeable future. The TNT (series 1, bought in 1989, with various upgrades over the years) has a Graham Phantom II with a SME base and my new table would be something to exploit that tonearm.

The stellar build quality and SME longevity have great appeal to me. Price wise I could only stretch to the SME 15. It seems to have the main objective criteria covered: Effective isolation, non-resonant chassis, superbly quiet bearing and excellent speed stability. The reviews I've read indicate excellent sound quality - though they have all reviewed the table in 15A guise, i.e. with the SME 309 arm.

Many SME owners seem to love their tables, but there is a portion of vinyl enthusiasts who describe SME as detached and un-emotional, lacking in PRAT (?). I am seeking a neutral platform to hear what's on my records, not a stylised boutique sound - but of course I want it to be enjoyable.

I was hoping owners of the SME 15 would  chip in with their longer term impressions. Still loving it?

Actually any SME impressions would be useful - particularly the Graham/SME combo - or if you switched from SME and why.

128x128tobes

Showing 1 response by mijostyn

Wonderful combination from all standpoints. SMEs are great just overpriced.

Turntables do not have PRAT. Musicians have PRAT. HiFi gear has dynamics except for turntables. The ultimate turntable spins at a perfect 33.33 RPM silently, under any reasonable circumstance and is oblivious to the environment.  Nothing more. Dynamic aggressiveness has to do with speakers, amplifiers and to a smaller extent program sources. The program source here is not the turntable, it is the cartridge and tonearm. They are responsible for the sound extracted from the record. Turntables are not supposed to make any sound. 

The only downside is lack of a hinged dust cover. You can however have one made or if you are clever, make one yourself.  You get a base to put under the turntable and hinge the dust cover to the base. Because the SME is isolated by it's suspension vibration in the dust cover can not be passed on to it and because the dustcover attenuates the sound that gets to the turntable the system's sound is actually better with the dust cover down not to mention keeping the table and record clean. Here is something to think about. Sound can not travel through a vacuum. Why not pull a vacuum under the dust cover? That would diminish sound getting to the turntable ever further!