Reichert wrote:
"Back in the 1960s, I bought every Dylan record . . but all his records sound opaque, annoyingly hard, and overly compressed. Every time I listen to Dylan, I ask myself, Why must they sound like this? I felt this way until I heard Zimmy in MQA via the Mytek Brooklyn: The clarity, suppleness, and transparency were so unbelievable . . "
Distortion, pure and simple. MQA is the 21st Century’s answer to Dynagroove! As RCA said at the time, "adding brilliance and clarity, realistic presence, full-bodied tone , yadda yadda . . ."
Stereo Review loved it then; Stereophile loves it now.
"Back in the 1960s, I bought every Dylan record . . but all his records sound opaque, annoyingly hard, and overly compressed. Every time I listen to Dylan, I ask myself, Why must they sound like this? I felt this way until I heard Zimmy in MQA via the Mytek Brooklyn: The clarity, suppleness, and transparency were so unbelievable . . "
Distortion, pure and simple. MQA is the 21st Century’s answer to Dynagroove! As RCA said at the time, "adding brilliance and clarity, realistic presence, full-bodied tone , yadda yadda . . ."
Stereo Review loved it then; Stereophile loves it now.