Modern Linestages


This is a general question about how complex and expensive some linestages have become. I'm looking to understand why? I can grasp that really good volume controls are complicated and that equally good switches are not inexpensive. I also have a general understanding of the importance of a high quality power supply, which again is not going to come cheap. I just don't comprehend how you get to a 50lbs. plus preamps that cost well over $20k. Is this level of complexity really needed or is it the equivalent of the spate of 500hp "sedans" for every day driving?
128x128onhwy61

Showing 2 responses by sksos1

George, I Agee that todyas sources do not "need" active gain stages BUT many do sound better than passives. I've been a BIG fan of passives over the last couple of years and have used them to great effect (but never tried yours sorry to say) but until I listened to the Steve McCormick VRE-1B I didn't know what I was missing. No passive has ever given me the 3-D effect I hear from this line stage (it has only 6db of gain). I'm not saying it's accurate because who really knows what accurate is? It just let's me enjoy music like no other active or passive has ever done. Yes my Kondo M1000 pre (over $100,000) was very special but the VRE puts a smile on my face every night I listen, and that's what its all about at the end of the day.
Steve
"dealer disclaimer"
George you are correct that each active pre brings it's own sound to the stage but let's take it to the next step! Every amp, speaker, cable, line conditioner, room treatment and so on moves one system differently so by going with an active pre vs. a passive is just a different flavor of ice cream. You might like chocolate while I like coffee. As I stated personally I have found passive pre's to sound wonderful but they do have their faults and now use an active pre and have never looked back. Maybe some day I'll have the good fortune to try yours, would love to hear it.
Steve
SOS