Miles Davis,extreme Jazz and the death of Jazz


Having re-read through the excellent recommended Jazz recordings thread on this forum I was struck by Sd Campbell's comments on the lack of invention in modern jazz.
Don't take any of these comments the wrong way as I am no great historian on Jazz but this is merely my impressions....
Miles D was a constantly changing stylist in Jazz and although obviously the cultural impact of popular music(rock n'roll whatever)had a big impact on the popularity and possibly even the development of jazz however was it Miles adventurous spirit and anti-status quo stance not to mention his embracing of rock musicians that ultimately left Jazz nowhere to go?
I really love the Bitches Brew era but then I'm mainly a rock fan but did this album signal the end of Jazz ?
I am interested to hear from the Jazz scholars on this forum about the more extreme variants of Jazz and their views on it,be it free Jazz or Miles later output.
Has there been a great Jazz innovator since Miles?
ben_campbell

Showing 1 response by centurymantra

I am not a jazz scholar either, but would certainly agree that jazz is far past it's golden age, with the 'critical mass' date hovering somewhere around 1974. In recent years, it seems that some interesting stuff has been happening however. This is, of course, overwhelmed by a blanket of overproduced and overmarketed artists and the burden of the 'fuzak' scene to some degree. Some of the folks involved with the AACM collective seem to be producing some intriguing music. I picked up a disc recently by the Ernest Dawkins New Horizons Ensemble that is farily astounding. Henry Threadgill is still producing very innovative music in most of his guises and just about anything that Kahil El'Zabar produces as a solo artist, in collaboration or with the Ethnic Heritage Ensemble is fairly crucial music. I have a few discs that Randy Weston did in the mid to late '90's that are quite excellent as well. If you are into free jazz, there still seems to be quite a bit of activity and vital music in this scene currently happening. It requires careful digging, but it seems that quite a bit is still happening, even if we're not able to strut into the Village Vanguard to witness some of the bop-era greats laying down serious grooves as they did in the days of yore. Suffice to say, I haven't given up hope yet!