I got deeply involved in high end audio in 1979. I expanded my musical interest from rock to include classical in the early 80’s. I found that the quality of the recording typically was more important than the conductor / orchestra in most cases… there were some conductors I simply did not like, for instance Michael Tilson Thomas. Switch forward to 2010…I got season tickets to the symphony, and have attended religiously until the pandemic, I found live… really good fidelity performances make or break it. So, in general, for me sound quality trumps performance… much of the time. Poor performances, are poor and just don’t rate. Symphonic music is hard to produce on a system… but well done, is really compelling to me.
In Classical music the effect of SQ on appreciation
In classical music there are often many different versions of a single composition that you may own or listen to. How much influence does SQ have on your appreciation?
As a recording is an artifact in itself, the presentation of the sonic factor has to come into the equation as does the interpretation.
in Mahler, as an example, the orchestration is vital.
A recording that is just so-so interpretively may be very attractive to the listener because of the sterling sonics of the orchestra.
So, how much does the SQ affect your judgement?