How "Rare" are Audio Classics, Really



Sellers often say things like "RARE Eucalyptus finish!'" or increasingly RARE and hard to find!

I like to read about cars, where if a certain Porsche or Ferrari numbered only in the hundreds they are indeed more valuable than mass produced models.

Collector cars which number in the single digits can cost more than a nice house in Santa Barbara.

Which makes me wonder: how rare, really, are certain collectible audio components, in terms of their production numbers?

How many Tympani IVa's, Audio Research D70's, Marantz Tuners, McIntosh power amps, Rogers LS35a's etc etc have really been made?

Please note this question applies only to real classics, from reputable manufacturers.

Your purple gull wing doored fiberglass kit car replica of Magnum PIs Ferrari may indeed be "one of kind", just like your garage built electomagnetic shielding devices and custom African hardwood enclosed power stations, but a no reserve auction will quickly confirm the true value of those "rare" items.

What are the most rare, classic audio components, and how many might remain in the world today?
cwlondon

Showing 2 responses by t_bone

Rare has it's own issues.
First off, some megabuck items were rare for a reason - they didn't perform or catch the eye of the purchasing public. The car world seems to have better records of super-flops than I've seen in audio.
Second, in autos just as in everything else, long-term legend-making is far more important than actual rarity. If I had to put X of capital up with the condition that I'd sell it on for exactly the same amount twenty years later, for the same amount of money, I'd rather have a Superfast than a GTO... but maybe that's just me... But in real life, despite the fact that Superfast is rarer, well-appointed, is probably almost as fast, is certainly more comfortable over any distance that would matter, and would be more tractable in traffic, it doesn't get the love.
Third, a no-reserve auction for a GTO held in small-town USA is different than one in Scottsdale or Monterrey, trumpeted through the press. Audiogon may not be small-town USA but it does not have the pulling power of Scottsdale.

Maybe sellers of rare items should sell only 6 times a year (one-month auctions listed on the first day of every even-numbered month). That way people would be able to see what really is rare and what a gathering of people will pay for.

to 'own' a Superfast with the caveat that I'd have to sell it for the price I I'd rather have a Ferrari Superfast
CW,
You are a wise man and I am sure you are correct about the reason. But Maggie?... maybe I do overestimate the 500 Superfast?