I am going to throw out the proverbial Molotov cocktail in regards to actual frequency response in comparing digital to vinyl. It is never even mentioned in these threads.
LPs...gasp! Are typically in the 20 Hz- 20Hz range and to expand that range it comes down to the cartridge but how many new LPs contain frequencies up to 50 Hz? I have a feeling only the most expensive pressing do.
Those stats are never listed on Music Direct's site but if you buy an SACD or High Res recording you get those stats....as we expect to know what they are as that is the basis for our motivation to get the best sound quality possible.
I currently do not spin vinyl but are heading back soon, maybe within a year as I want to upgrade my integrated amp first, to take the plunge. I am going to NY Audio show on Friday and I look forward to hearing the difference and hopefully being blown away. I will bring a couple SACDs too.
I am a big advocate for SACDs and if you have a good to great rig you should be impressed by their audio reproduction...even in high res stereo.
I have been very please with High Res digital as well. I purchased the Yes Steve Wilson remixes and completely love them. I have the DVDA of Fragile and I listen to this newer release exclusively now. The details, bass reaponse, and nuances of these sophisticated recordings completely shine through.
In regards to SACD. The reissues of Pink Floyd's Wish You Were Here is stunning! I listen to the multi-track on my HT rig and it has renewed my love for this record big time. Shine on You Crazy Diamond (Parts 6-9)will rock you house.
Gilmore just completely unleashes.
I can't wait until they do Animals.
That all being said I would love to see this discussion steered toward the possible greater technical aspects of LPs...I mean vinyl over SACDs and 96/24 high Rez.
Less hyperbole and more meat.
Merci
LPs...gasp! Are typically in the 20 Hz- 20Hz range and to expand that range it comes down to the cartridge but how many new LPs contain frequencies up to 50 Hz? I have a feeling only the most expensive pressing do.
Those stats are never listed on Music Direct's site but if you buy an SACD or High Res recording you get those stats....as we expect to know what they are as that is the basis for our motivation to get the best sound quality possible.
I currently do not spin vinyl but are heading back soon, maybe within a year as I want to upgrade my integrated amp first, to take the plunge. I am going to NY Audio show on Friday and I look forward to hearing the difference and hopefully being blown away. I will bring a couple SACDs too.
I am a big advocate for SACDs and if you have a good to great rig you should be impressed by their audio reproduction...even in high res stereo.
I have been very please with High Res digital as well. I purchased the Yes Steve Wilson remixes and completely love them. I have the DVDA of Fragile and I listen to this newer release exclusively now. The details, bass reaponse, and nuances of these sophisticated recordings completely shine through.
In regards to SACD. The reissues of Pink Floyd's Wish You Were Here is stunning! I listen to the multi-track on my HT rig and it has renewed my love for this record big time. Shine on You Crazy Diamond (Parts 6-9)will rock you house.
Gilmore just completely unleashes.
I can't wait until they do Animals.
That all being said I would love to see this discussion steered toward the possible greater technical aspects of LPs...I mean vinyl over SACDs and 96/24 high Rez.
Less hyperbole and more meat.
Merci