I think the original two point are valid but a third point is needed.
Dgarretson nailed it at the start.
"a better term to use is a flat frequency response"
Ignores correct pitch & timbre, the hallmark of a high-end system.
"No real performing space is "neutral"...the room's acoustics always have a huge effect on the musician's sounds...The reference point should be what you want the music to sound like."
Does the room in which the playback system resides really affect sonics as much as the original recording space? IMO not true of any high-performance system-- particularly at lower volumes.
A "reference point" is necessary and should be #3 on the list. For me that point is acoustic nylon stringed guitar something I played.
Without a "reference point" it just all seems like mental masturbation. Very interesting but....
Dgarretson nailed it at the start.
"a better term to use is a flat frequency response"
Ignores correct pitch & timbre, the hallmark of a high-end system.
"No real performing space is "neutral"...the room's acoustics always have a huge effect on the musician's sounds...The reference point should be what you want the music to sound like."
Does the room in which the playback system resides really affect sonics as much as the original recording space? IMO not true of any high-performance system-- particularly at lower volumes.
A "reference point" is necessary and should be #3 on the list. For me that point is acoustic nylon stringed guitar something I played.
Without a "reference point" it just all seems like mental masturbation. Very interesting but....