How do you get the "real" feel of music?


There is a certain "real" feeling that I get when I go to a live concert. It's more of "feeling" the music instead of "hearing" it. That feeling, I think, comes from percussion instruments. I'd like to get that feel in my home stereo but it's not there. In my home, snare drums don't pop, I don't feel the bass drum in my chest, and rim shots don't exist. Is there a way to get that presence in a small system?

I'm not rich, and I don't want to hear, "Scrap all your sorry equipment and get a Krell, Bryston and HSU..." so with that in mind, I've got a 12x16 room with:

Sony DVP-NS500 DVD
JVC HR-S5900 VCR
Harman Kardon AVR80 II as a pre-amp
Parasound HCA-1205 power amp

I have used
Definitive Technologies BP-6
Polk Audio R40, CS-175, and PSW-250
Bose Accoustimass 5
Bose R-41

Is there any hope?
beetle63

Showing 2 responses by viggen

I think sasha's main point is how the quality of components is secondary to how critical tacit knowledge/experience is to making hifi sound good. And, this is something I severely lack but am trying to make up for by experimenting like a mad man with wires wires wires!! and some components and other accessories ofcourse.

Funny thing is, I used to design and install home theater systems for the "rich and famous and they worshipped me" too. But, as I have quit that boring industry and have more time to concentrate on my own hifi system, I seem to run into more walls. I can't seem to make my system *click*. I am not sure whether it is because I have a more objective mind when I am spending other people's money or I am just too critical of my own system thus I lose my ability to just enjoy the music.

I must also say, I was under 17 when I started selling this audio stuff and my colleagues were all over 40 with some over 60. I would say their approach were totally different than mine. I sold the components based on technical specifications and the clients' needs, and the elder guys sold themselves.