A number of good responses above, including your own regarding changing tubes. I have experienced some dramatic benefits from this in my system. As someone else hints at above, finding ways to lay back the sound is most desirable. I used to favor a more forward presentation, but the desire for a more relaxing, listenable sound changed that. A caveat, though, mirroring what someone else indicates above,is that some recordings of violin are too closely miked and/or poorly made, and as such might be immune to virtually any kinds of alterations in one's system. An example(at least in my experience)is David Oistrakh's performance of the Beethoven Violin Concerto with Andre Cluytens on Angel. Also, in general, I have always found the blue label Angel classical recordings to be somewhat bright. Aside from Cardas, you also might want to consider one of the lower priced Purist Audio cables,e.g.Musaeus.
How do I smooth out violins?
I have a decent system (bit of a mixed bag) but know that I can achieve a smoother, more integrated, and more relaxed massed violin sound. I listen to a ton of orchestral music and notice that massed violins in their upper registers (1500-3500 Hz) often jump out from the mix and sound a bit harsh, unlike what one hears live. Right now, I have the following:
Spendor SP1/2E
McCormick DNA-125 (original)
NAD 1600 (pre/tuner)
Marantz CD3000
Audioquest Sidewinder ICs
Audioquest Type 4
Would a tube pre help (maybe a AA M3A)? I'm thinking that the NAD may be the culprit. Any advice from those of you who have quested for "real" violin sound is very much appreciated.
Spendor SP1/2E
McCormick DNA-125 (original)
NAD 1600 (pre/tuner)
Marantz CD3000
Audioquest Sidewinder ICs
Audioquest Type 4
Would a tube pre help (maybe a AA M3A)? I'm thinking that the NAD may be the culprit. Any advice from those of you who have quested for "real" violin sound is very much appreciated.