Help me with a digital Font end


I'm looking for a good cdp (used $1-1.5k) and a pre-proc which is very good for music (for approx. the same amount of money-used), to match with two Citation 7.1 amps (one to bi-amp mains for music and one to handle HT channels.
Looking for significant upgrade from:
Cambridge Audio D500-SE cdp
Adcom GTP-760 pre/proc
I use system mainly for music (90%)
Looking for units able to get close to the best out of quality speakers such as B&W N804, Von Schweikert VR4 GenII, Vandersteen 3a Sig., Theil 3.6 (speakers in this range)
Any suggestions?
say811

Showing 3 responses by inscrutable

Any interest in SACD? Might get a used 777 in your range, or think about a new multi-channel player since you have an integrated system. I don't think you'll improve the 760 much for 1-1.5k for a pre/pro, but could with a separate 2-ch pre integrated with the 760. Might do better dropping down (in price) to the new Outlaw 950 for $900, and put the rest in the front end or 2-ch pre.
Steve,
ANY pre-amp will work ... the HT pass-thru or processor input just makes it more convenient (you don't have to return the preamp volume setting to the "reference/calibrated" setting). If music is 90% of the use, this may not be a big deal for you, and will keep the field wide-open.
Your digital or video sources are connected to the prepro, analog sources (including DAC outputs from digital sources)to the 2ch pre. The amp (or amp channels) feeding the L/R mains are fed from the main-outs of the 2ch pre, the amp/channels feeding center and surround speakers are fed by the outputs on the prepro. If the 2ch pre has a processor loop, you'd hook up the L/R main-outs from the prepro to those preamp inputs and simply select that source when viewing sources connected to the prepro. Selecting this processor source bypasses all the pre's circuitry including the volume control. If you do not have a processor loop/input, you can use the tape loop input. However, this means the 2ch pre's volume control is still in the circuit as well, so to maintain correct calibration of the multi-channel setup, you must pick a convenient volume setting on the 2ch pre (say top dead center), and do your calibration and then all subsequent viewing/listening thru the prepro at this same 2ch pre volume setting. Make sense? There's a thread originated by Thomas in Preamps/amps entitled "Well, another preamp/HT integration question ..." you may want to read. Good luck!
Tim