Harbeth vs JM Reynaud


Hoping for some input. I come from a Spendor perspective (my daughter recently inherited my BC-1s) and currently use Spendor s5e's with a Unison Unico hybrid integrated amp. Sound is wonderful. I have seen all the discussions/reviews of Spendor, Harbeth, Stirling, and ATCs, and I am partial to getting the midrange 'right' (the 'BBC' sound). With a 60th birthday coming up, I've been looking into one last speaker upgrade. With all the rave reviews of Harbeth's, I got to spend some time auditioning the Compact 7's, M30.1s and Super HL5's (not the plus). All sounded great but the 30.1's really seemed like something special. I was able to take a pair home for a weeklong audition, and truly fell in love of what these do. So now the problem. I have recently come across a several reviews of JM Reynaud speakers, including some recommendations on this forum as an alternative to Spendor and Harbeth. These really look like possible option for the BBC sound, but there is no opportunity for an audition, and that's a lot of $$ to buy completely unheard. Can anyone provide some thoughts feedback on how the JMR Bliss Silver or the Offrande Supreme's might compare to the Harbeth 30.1s or Super HL5 plus? My living/listening room is 15 x 25 (speakers on short wall), hardwood floors and plaster walls.
ihor

Showing 2 responses by jtnicolosi

Another vote for Reynaud here. I've owned Twin Signatures, Cantabile Supremes, and Offrandes Supreme V2s. On the Harbeth side I've owned SHL5s and 30.1s. Both of which left my house within a few months. Twice I went to Harbeth's in between Reynauds, because of so much hype, and twice I was disappointed. I truly wanted to love Harbeth's. Still I'd call them excellent speakers, and had I never heard Reynaud maybe I would have kept them, but that wasn't the case. To me Reynauds cut to the heart of the music, they transfer what's on the recording to a musical experience. Harbeth's make a beautiful, though somewhat boring sound. But because you heard and loved 30.1s I wouldn't feel comfortable guaranteeing you'd prefer Reynauds, they're different enough that you simply must hear them.
Wim1983: simply put Harbeths don't draw me into the music like Reynauds do. The issue with the 30.1's had nothing to do with bass, I simply didn't connect with them. After all the whole point of this entire hobby is to be emotionally moved by music isn't it? Admitidly this is all rather unscientific, which is why I only speak for myself, but since others who have gone from Harbeth to Reynaud have felt the same way, I'd say objectively as possible that they are the more engaging speaker. If you want reserved and "neutral", Harbeth would be the right pick.