When you speak of emotion in Mozart, it cannot be measured by 19th century standards. He was, to me, the most “human” of all composers. The entire gamut of human feelings are expressed by him, but you must know his was a different musical language, having its unique aesthetic symbols of expression.
Beethoven started off using the same language, but evolved to a language taken up by the entire 19th century.
Beethoven started off using the same language, but evolved to a language taken up by the entire 19th century.
