Emotiva XSP-1 vs XSP-1 Gen 2


Compared to our modified Audio Research LS2B MKll, we tried the 1st iteration of the Emotiva XSP-1. Per "The Jazzmama" It was depth-less, flat, 2 dimensional and "uninvolving."

In comparison, how does the XSP-1 Gen 2 perform with respect to the depth, holographics, 3 dimensionality, and staging as compared to the Original.

The ERC-3 is incredible at any price. The XPR-1 monoblocks are Kilo-buck monster eliminators.
levchappy

Showing 7 responses by levchappy

Runnin;

My question was:

In comparison, how does the XSP-1 Gen 2 perform with respect to the depth, holographics, 3 dimensionality, and staging as compared to the Original.

Can you answer that question???
Tjassoc;

The speakers are Thiel 3.6 which we never properly heard prior to the XPR-1's. The cabling is Audio Art from Rob Fritz

The Amps which you are asking about are Mark Levinson 333.5 dual-monaural (the upgraded version $11,000), Mark Levinson ML-2 monoblocks and a Threshold T-50.

The Emotiva ERC-3 CD player ousted a very heavily modified and vastly improved Cary 303/300. The Cary ousted the Mark Levinson 3906 CD/Processor. It had better Holographic qualities. & a tube output and selectable up sampling.

If you order Emotiva products, their website guarantees "If you are not 100% satisfied with your product, we will give you a full refund of the purchase price for returns made within 30 days of purchase." you are only risking the cost of return shipping.
Mechans;

"We can't keep turning around and then buying off the internet to save a few dollars. Support your local dealers."

I once worked for 2 high end A/V Salons. One in particular practically wants to see the check book prior to engaging a customer's interests. I was a buyer at the other.

The amount of dealer profit margin on Levinson, Krell, Audio Research, McIntosh, etc. is enough to pay for Emotiva products out right.

When purchasing on Audiogon, eBay and others, folks are looking for high end gear and a 30-50% discount on used gear.

These internet purchasers are hoping to cut out the brick and mortar middle man fees. No matter where internet purchases are made, they are sight unseen nor auditioned.

A lot of "high-end" manufacturers outsource to cheap labor. Those sources are suspected to substitute with counterfeit caps, etc.

I am tired of the same old American theme of sell out and go "sailing" as one of our American name-only gear "makers" did. What happened to the dream of Levinson, Proceed, Krell, etc.

Levinson is purportedly led by a Levinson/Harmon International CEO from India trying to transplant manufacturing to be shipped from India.

The CEO cut out the in-house warranty service and it's outsourced, therefore, making it much more difficult to make a claim.

It's really a smart way of saving thousands of dollars when there might be a known defect stemming from the use of under-spec'd or inferior caps or transistors.

When Audio manufacturers make warranty repair hard to get, I'm sure you'll agree that, it doesn't make it easier for brick and mortars to sell said gear.

I will save my sermon so as not to offend any audio friends.

The big box retailer can't even properly demonstrate their gear. Try to audition a subwoofer for Home Theater or 2-channel audio.

I too was an Emotiva doubter (my name is not Thomas) until a friend helped me purchase the XPR-1 monoblocks. I was a complete audio name snob.

I do support the local folks with "American named vehicle purchases and repairs. My engine was made in Germany, the transmission was made in Mexico. The Mustang was assembled in Flat Rock Michigan. I was made in Detroit.

I always try to diminish the middle man profit when making a purchase. Do you think my medical bills come cheap?

Does it bother me that my $11,000 dual monaural, 600 watt, 150 lbs., unit got trounced by a pair of monoblocks retailing for under $3,000. You bet, it's down right humiliating.

Another great disappointment stems as a direct result from terrorists. You can no longer have these over 150 lb. behemoths picked up at your home and shipped for repairs or sale. Another 9/11-related inconvenience due to the completely required (yes, you are darned right it's completely required) Homeland Security regulations.

By purchasing Emotiva, you are helping to fund future research and product development of high quality gear lovingly designed by engineers from the Nashville, Tennessee, U.S.A. area.

Why should the high end hobby be exclusive to the Super rich or unmarried folks?

Everyone should be able to share in The Arts at a real world and affordable price.

Most high-end hobbyists don't necessarily live within a 50 mile drive to buy gear. That's why Audiogon and eBay have flourished. Because of the internet used price wars, brick and mortars can hardly support taking in used gear and when they do, there is a 25% consignment fee. This makes it more difficult to upgrade with the brick and mortar shops.

You want to purchase from a brick and mortar and save money? Get their email address, phone and whip out the plastic money card. You don't need to drive to the store, just pay by phone or online.

It is no longer a matter of saving dollars alone, it's now a technology & performance, warranty and service issue.
T.J.

"Sorry Lev if I inadvertently misguided this thread."

Actually, now its fun. You will need some electrical work as the XPR-1 requires a 20 AMP circuit, and preferably a dedicated circuit for each monoblock.

XPR-1's are truly a reference level product. Send them back for a refund if you don't like them-which is extremely, highly unlikely.
Runnin;

Do you know the difference between loud and detail, staging, depth, 3D holographics, deep base detail, high hats shimmering? More power allows more headroom, and greater control over the speakers. I use a decibel meter and keep the sound level at no more than 84 dB.

Perhaps you might consider making your first Audiogon purchase and test this out?
Runin;

You seem like a very bitter person, and I do not feel that I or anyone else needs to justify anything to you. On the flip side our Thiel 3.6's are at an efficiency of 87 dB, and are rated at 500 watts into 4 ohms. When I tell you that the XPR-1's brought out never before levels of deep bass with detail, rich midrange and high frequency detail then you respond with with
"I think it's mostly the braggers or headbangers who will buy these silly amps of 600+ wpc and give themselves hearing damage."

Please comprehend this. You do not know what you are talking about and you are calling me a silly liar. You have not, do not, and never will support the Audiogon sales and purchase opportunities. As a result you have become an unnecessary irritation and burden to the rest of the Audiogon Chappies. No offense intended.

Your Silly 600+ watts Jazz. Blues Classical, Psychedelic, Motown friend

P.S. Get over your issue and leave the rest of us in peace and happiness
I love Tubes, particularly in a phono stage. As far as Tubes in an amp, great. My only issue with tube amps might be the 300b tubes and other great tubes.

It seems impossible to purchase Telefunken, and Siemens level of tubes which were recently manufactured. Too bad we can't make tubes of such performance levels here in the US or anywhere else. NOS tubes are the best but they are running out of stock, and cost a "King's Ransom."

Russia squashed an American's attempt to take over a tube manufacturing facility, where he was making hi quality tubes. They tried to extort money from him by shutting off the electricity to the plant.