Class A Solid State Sound

Would someone kindly describe the differences in class A sound of Pass XA.8 series, Accuphase A-70/75 series, and Gryphon class A amplifiers. Does much or any of the differences relate to mosfet (Pass and Accuphase) or bipolar (Gryphon)  output devices?  Thank you!

"The gryphon ss amps asound more like symphonic line amps or boulder amps."

That's interesting, I have Symphonic Line Kraft 250 monos and have wondered how Gryphon would compare to them.
"Getting back to the OP’s original post. Class A circuits ( and we are specifically talking about amplifier output stages here ), just sound smoother, more homogenized, less artificial, more involving, with every attribute of recorded music reproduction, keeping one in his / her listening seat, longer. Granted, there are still audible differences, between designers and manufacturers products, but, Class A is still, imo, superior, at this particular time, in SQ."

Well put, @mrdecibel - certainly in agreement here. I’m using the MOSFET-based Belles SA-30, which outputs 30 watts pure Class-A. 30 watts mayn’t sound like much, but the number itself is not really indicative of its ability to successfully drive a variety of low to moderately sensitive speakers, some of them quite power hungry. My own speakers are very sensitive at 105dB’s, and being a fairly easy load on top of that suddenly converts the SA-30 into a small monster; approaching -20dB (I usually never go below -25dB, and typical listening is done in the -45dB to -50dB’s range) on the attenuator of my DAC/preamp things really start to become rather scary..

I bought the Belles new about 5 years ago, and I sometimes wonder how long I can expect it to perform "according to specs" - that is, before the caps begin to wear out to detrimental effect. The lifespan of amps vary somewhat for a variety of reasons, but of course pure Class-A amps are the ones most challenged in this regard due to the heat being produced (all things being equal; pure Class-A amps are typically very well build and being topologically more simple can use fewer and better components, in which case a quality pure Class-A amp may equal or even exceed the lifespan of a lot of the better Class-A/B offerings, or so I’m thinking). From what I’ve been able to assess Mr. Belles amps are quite durable, even the ones running in Class-A, but what’s the opinion of you guys on the capacitor-lifespan of a quality pure Class-A amp - 10, 15 years, or more?
When i was amp shopping, I listened to lots of the discussed amps and walked away with Ayre.  Class A to about 50 correction feedback at all, etc.
but what’s the opinion of you guys on the capacitor-lifespan of a quality pure Class-A amp - 10, 15 years, or more?
If the interior of the amp is getting hot then yes the life of caps diminish considerably, they dry out and can leak. Not a bad idea to use a slow turning fan inside to push or pull the hot air out, this will stop the caps from drying out.

The ME amps I have  this in a way, they do this with their whole range, they also use the variable speed fan to cool the transistors to their ideal junction temperature regardless of which Class-A bias setting is used through the chimney heatsink while listening.
And when the amp is turned off the fans continue till the heatsink has cooled right down so there's no buildup of heat, the internal  heatsinking/fan also keeps all the stacks of over 300,000uf of capacitors cool.

Cheres George
no correction feedback at all
It would have had local not global feedback, just around the input/driver section not the output stage this is a very good feedback system first used/invented I believe by Matti Otala many years ago 70’s 80’s, just like the ME’s above.

Cheers George