Cartridges: Complete Scam?


I’m very new to analog, and researching my options on forums I keep coming across the same sentiment: that past the ultra low-end cartridges, there is very little gains in actual sound quality and that all you’re getting are different styles and colorations to the sound.

So, for example, if I swapped out my $200 cartridge that came with my table for a Soundsmith, Dynavector, Oracle, etc, I may notice a small improvement in detail and dynamics, but I’m mostly just going to get a different flavor. Multiple people told me they perffered thier old vintage cartridges over modern laser-cut boron-necked diamonds.

It’s possible that these people are just desperately defending thier old junk and/or have never heard high end audio. But if what they’re saying is true, than the cartridge industry is a giant SCAM. If I blow 2.5k minimum on an Air Tight I better get a significant improvement over a $200 bundler — and if just all amounts to a different coloration, than that is a straight-up scam ripoff.

So guys — are these forums just BS-ing me here? Is it really a giant scam?
madavid0

Showing 3 responses by lohanimal

Some think the premise of this thread may be antagonistic given other threads started by the OP. That may be a tad unfair given that this is a forum, and he is asking a question relating to value.
All said and done - what does he call value? Some believe a 'Ghetto Blaster' is the best thing in audio, and in terms of enjoyment one may find it hard to place a value.
Putting things into 'relative perspective' over £2500 there are diminishing returns, likewise I believe that so called top flight cartridges are effectively different flavours so to speak. A good example is that the BenzLP is commonly regarded as an astonishing performer at around £2500 and it can compete against anything out there so to speak.
But a £200MM ain't gonna cut the mustard against a top flight MC - (provided both given equal phono stages).
What value you place on the price is anybody's guess - a Lada Riva and a Ferrari are worlds apart in terms of price - indeed a LAda Riva is more practical than a Ferrari - but what are you looking for??? An ice plough (cheap MM for cheap turntable - phono stage - system) - a fact car (MC race track - great TT - phono stage etc). 
Value is in essence what one would pay for anything - if you think something is not worth it - so be it - you are right - but what are your parameters?
the OP makes an amusing comparison between
Magico's and Elacs - funny thing is that Magicos really need both grunt and dexterity to really come alive - think Soulution and Constellation. You ain't gonna make em 'jump' nor would anybody pair magic's with a £400 mass market amp with significantly less power and grunt - although with the Elacs you most probably can and will. So your comparative sample merely supports the viewpoint that one does not pair a LOMC with a load of equipment that does not match the MC. bringing out the best in a top flight MC is going to be a far more expensive and fussy procedure than a £200 MM like a cheaper mass market speaker against a high end design
HERE'S THE ANSWER THE OP WANTS

Any cartridge over £200 is a total scam - because above £200 there are no economies of scale, MC's are a waste of time and money and are just there like a hook for over-wealthy audiophiles. 
For those with MC's or indeed any cartridge you are far better off downloading a piece of cardboard to align your precision made cartridge. This is whether or not you find a turntable from a dumpster or have an AirForce One.
All said and done please use super expensive speakers such as YG, Magicos or Martin Logans - with any ancillary equipment so long as they aren't wired up with Anti Cable - much better off using the stuff from Radio Shack. BTW don't ever buy a class D amp even one made by Rowland as they are inherently rubbish no matter what...