Break in period


I have just acquired the Conrad Johnson CT5 preamp and CJ LP70S power amp. Would appreciate inputs /advice of fellow a'goners regd optimal break in period and is the break in period dependent on playback volume or amount of
gain. The reason I ask is coz a Stereophile review of the CT5(July 2006 ?)mentioned that the preamp was left in continous play mode for a week, that translates to 150 hrs.Given that i listen max 2hrs/day and more on weekends, that translates to a break in period of nearly 2 1/2 months !!
Have huge issues leaving the system running 24/7 coz of erratic power supply and neighbour's privacy etc
Would appreciate any/all advice
Cheers
128x128sunnyboy1956

Showing 3 responses by drubin

Shadorne, you keep talking about drift in response, but I don't think that's the issue here. It's not that the design is unstable and therefore faulty, it's that individual circuit components (resistors, capacitors, wire perhaps) undergo some change during the initial hours of their use. This may not show in measurements but I think most of us agree that measurements alone do not the whole story tell.

I have told this story before, but it merits repeating. Back in about 1979, I got a brand new DB Systems DB-6 power amp in for review. Back then, break-in was never discussed as far as I know and it was not part of my audio consciousness whatsoever. I unboxed the amp and hooked it up (with zip cord) to my Quad ESLs. It sounded pretty poor. Oh well, the DB Systems preamp was quite good, I had higher hopes for the power amp. We had family over that night and the system was on, playing in the background. At one point during the evening, I began to notice extraordinary detail and elegance from the system. My brother noticed it as well. The amp sounded great!

This story is not evidence of the truth of break in (it could have been a power issue, or me getting used to things, or who knows what), but it was a defining experience for me as an audiophile (just as was my cycling through a number of different brands of receivers years earlier and puzzling over how different they sounded from one another) and has made me a cautious believer in giving a component some time when new before judging its sound.
A bit harsh, Paul.

It is my impression that even inexpensive gear benefits from break in.
Jeez, I think you are all too harsh. My impression of Shadorne is that, far from spreading mischief, he is coming at these discussions from the perspective of an engineer heretofore unexposed to (or unpersuaded by) the esoteric beliefs of high-end audiophilia. He's being stubborn because it doesn't make sense to him. Why not gently try to persuade him instead of decrying him as a bad element (my term, but that's the vibe I get).

I swear, sometimes it's like being amongst a group of creationists who don't want any "wrong-thinkers" in their midst. Run 'em out on a railroad, boys! The difference being that creationism is entirely nonsense, whereas at least some of what we believe around here may have merit. :-)