battling the pops and clicks


I recently put together an vinyl rig (Nottingham Horizon w/Dynavector 10x5 and Whest phono stage) I am really liking the sound, and I see what all the talk is about for sure. This setup really gives my Ayre D1xe digital setup a run for the money, and if it weren't for the pops and clicks I think I would certainly prefer the sound overall. This is saying a lot considering the price gap between my digital and analog setup.

I have the VPI 16.5 and disc doctor brushes and cleaning fluids and have spent some time and effort to fully clean my records in an effort to eliminate all noise. I bought quite a few new 180 gram records so I would have a good idea of what sound vinyl has to offer. I also have plenty of dusty old records from years back, which is the real reason I wanted a turntable to begin with. As much as I work at cleaning the records, it seems no amount of work will eliminate the pops and clicks. The more I focus on trying to get rid of them the more it bugs me. It seems to happen just as much with the new records as the old ones.

What I'm wondering is, do I need a better table and cartridge if I expect to listen to records with total silence? Or what am I doing wrong with my current setup? I've followed the cleaning instructions very closely and even taken it a step further by adding additional rinsing cycles with distilled water. I've used stylus cleaner and of course always used the carbon fibre dry brush before playing, and clean sleeves too.

The cleaning has reduced the noise, pops and clicks greatly, but in my opinion, more is still there than I would consider acceptable. Is this something that you just learn to tune out from or is there a way to fix it completely?

thanks, -Ryan
128x128ejlif

Showing 5 responses by dougdeacon

Ejlif, a few ideas...

Try RRL solutions instead of DD. With RRL a distilled water rinse is unnecessary and in fact counterproductive. RRL is actually purer than most distilled water, and it never foams or leaves any residue. On my Loricraft RRL gets about 70% of the records clean enough so that no further wet cleaning is necessary.

For the stubborn 30%, I try Buggtussel's Vinyl-zyme or Paul Frumkin's AIVS. Enzymes will remove stuff that surfactant-based cleaners can't.

Still, vinyl is rarely perfect. Of our 3,000+ LPs only a minority is "totally" quiet. But as Raul said, once the number of extraneous noises is reduced to just a few per side you learn to listen through them. And yes, it is possible to get the noise down to that level.

I agree with all that Lugnut said regarding better equipment. Loricrafts and Keith Monks clean better than VPIs. Better tables are quieter. Better arms and arm wire are quieter. Better phono stages are much quieter. Better cartridges are quieter and I second his vote for ZYX, which are the quietest I've heard and also the most neutral and natural.

Visitors who hear our system with a CD/SACD/DVDA (rare unless they ask) are more or less impressed, depending on what other systems they've heard. When we switch to vinyl they are invariably overwhelmed. No one has ever asked us to lift the tonearm and go back to digital. When I ask if they'd like to hear another format comparison the answer is predictable, "Shut up and play another record!" The only visitors who aren't genuinely shocked have top quality vinyl setups of their own.

If done well, vinyl can provide an enthralling musical experience that no digital source can match at any price. A good vinyl rig will stomp an Ayre. It will stomp a dcs. It will stomp a Meitner. It will even stomp my Denon. ;-) Will it cost more money than you've spent to get there? Yes. Does it take significant effort and constant TLC? Absolutely. Is it worth all that? Only you can decide.

If you live near someone with a topnotch rig it would be worth a visit. Hearing what's possible, and what it costs in dollars and time, might help you decide whether to pursue this nuttiness or go back to the remote control.

Regards,
Doug
Chadnliz,
Rather than spraying something (anything) near my table or rig I prefer to zap the LP with a Zerodust. No residue to worry about.

Nsgarch,
Good question. I'm sure stylus profile has something to do with it. The Lyra Olympus I heard was also very quiet in the groove. I believe it has a micro-ridge or line contact stylus like a ZYX. Does your Transfiguration have that sort of stylus? What about the VdH?

The way the generator reacts to VERY sharp transients probably also plays into it. A contaminant can present a transient that's sharper and/or larger than any groove modulation. Some cartridges might "overload" worse than others in response, but I'm no electrical engineer so I couldn't say why.
Sorry, typo. I meant ZEROSTAT.

http://www.2spi.com/catalog/photo/zerostat.shtml

Available from nearly everywhere, Acoustic Sounds, Music Direct, etc.
I agree with Willster, and with Wc65mustang regarding ZYX's in particular being very quiet in the groove. They're quieter than my Shelter 901 for example.

The ZYX stylus is indeed incredibly tiny. A friend of mine took 200x photos of the styli on a Grado, a Denon 103, a Shelter 901 and a ZYX Airy 2. The Grado looks like a war club, the Denon like an axe, the Shelter like a chef's knife, the ZYX like a surgeon's fine scalpel. Seeing those photos side by side brought home one reason for their differences in performance.

Some other cartridges have similar styli. The Lyra Olympos was as quiet as the ZYX UNIverse when I heard them side by side. The Lyra stylus was longer, but it looked equally tiny in cross-section. They probably both ride deep in the groove, below much surface damage. I believe most VdH's and top Dynavectors are similarly equipped.

One downside of styli like this is that records must be kept scupulously clean. They will scour anything out of the grooves, and the tiniest fleck of dust will impair their otherwise remarkable tracing of HF groove modulations.
Nsgarch,

I've not seen a VdH stylus magnified. I'd expect better for the kind of prices they command.

The photo of the ZYX showed a clear gemstone, perfectly sculpted and cleanly affixed to the cantilever. No visible blobs of glue! It truly looked like a finely made instrument, even @ 200x. The micro-ridge edges were clearly visible.

The cantilever's top side wasn't shown, but eyeballing mine with a loupe reveals a slight projection above the top of the cantilever. Presumably the top end of the diamond(?). Interestingly, the stylus end of the cantilever has something like a tiny, cylindrical cap slip-fitted over it, extending a mm or so past the stylus. Something to secure the stylus I presume.

Damn, that stylus and cantilever cap are tiny! How DO they make these things? I'll bet it's the same micro-elves that assembled 921,600 pivoting mirrors on the postage-stamp-sized DLP chip that runs my TV. Amazing stuff.