Are the loudness wars fake so record companies can destroy the music?


Sam here and if the music industry have implimented EBU R 128 for loudness normalisation how come the volume on most digital remastered albums leaving the studio is set to "11" lf the listening volume will be the same across the board for streaming services why bother? l’ll tell you why. By lowering the overall volume after the fact does not repair the damage that has already been done! The goal here is to destroy the sound quality of the music and it makes no difference what side your on because the end result is still the same the album is unlistenable. l remember listening to music before the digital age and you not only heard the music you felt it.Well nothing has changed only now you hear the music and feel pain? Draw your own conclusions friends.
guitarsam

Showing 1 response by teo_audio

And I’m going to do the exact thing I should do.

I’m going to put my thinking cap on and not dismiss this before looking at it. Closely. and in that, to not dismiss parts of it that may also make it a mystery.

As that is what clear headed investigation is all about. Going to places one does not understand.

the world does not come out of a textbook, as the linear safe seeking emotionally derived thought process mind demands. The world, actually... pours out of the things you don’t understand.

Negative proofing is great for engineering. Essential in fact.

Discovery.... means putting that away. And this would clearly be in the realm of discovery. Only an idiot would bring their purely ’negative proofing’ mindset here.

To do so would be advertising a lack of capacity for properly realized discernment, it would be a form of resorting to textbooks in the form of their being some sort of legally enabled dogma, with punishment waiting in the wings. And that ain’t science. That’s religion.

I’ve no idea if this is real or not, but I’m not going to take a dump in my brain and fill/stink it up with projections of dogma.

OK?