Are current audio cable designs superior to 1980s designs?


(I'm reposting this question under a new title because the original was vague, misleading, and elicited irrelevant replies).

Been using the same pair of 1980s AudioQuest rubber-encased XLR cables between pre and power amps since 1987 with good results -- good in the noncomparative abstract, that is. Components have come and gone, but the AQs have remained the sole constant. Until Morrow's recent Reopening Sale gave me an excuse to play with a more contemporary design. Just made the switch and I know the Morrow burn-in can be prolonged. Plan to set FM tuner overnights to "white noise" rather than BBC human voice signal to speed the process.

Question: to what degree do you believe balanced interconnect designs have improved over the past 30-40 years? And, price range being the same (adjusted for inflation), would you expect the current lean, lightweight Morrows to outperform the old, heavy-duty AudioQuest design? Morrow says they will, but what do this forum's many cable experts think about it?  
hickamore

Showing 4 responses by hickamore

As I said upfront, same question, different title. I don't know about you, but my own decision whether or not to read a given thread depends on the title. If the title doesn't properly describe the substance of the question, I will either never know or will quit reading.

Same principle as a newspaper headline. Bury the lede and lose the read.
Simple question, simple answer, and just what I wanted to know, so thanks millercarbon. Are the cable refinements audibly superior or just conceptually niftier? Your assurance is enough.

FMI I will go study the Ted Denney evolution. Sorry, ignoring cables for decades and only lately paying attention again.What's objectively better, what's just for show? Because the audio equivalent of Rolex would be anathema to me, and veterans here can help to steer me right.
Preamp was Bryston BP series; amp was B&K 4420, dual mono in single chassis.Regular consumer grade components.