Any thoughts on passive v. active speakers?


I'm thinking about ditching my amps and cables and just buying an active speaker with a balanced input. I have a Krell 2250 and a pair of 140 watt Atma-sphere MA-1MKII. I desperately need speakers and cables, but not sure if I want to go through the bother (and expense) of finding the perfect matching set.

Should I go with a speaker & amp that are already matched or keep building my system like a bespoke smorgasbord?
rogerstillman

Showing 2 responses by mitch2

I too am interested in following the Kii speaker and would like to hear them. They are a fully active speaker with six drivers; six nCore amps; full DSP control and controlled dispersion that improves on time-delayed reflections. They are also said to go quite deep for a monitor sized speaker.

Any of you who go to RMAF, be sure to check out the Kii being launched by GTT Audio & Video in Room 537, and please report back. In the meantime, here is some more information.
DAR blog with Srajan Ebaen
While many transistor advocates say their amps are neutral, I've yet to hear one that does not impart a coloration- that of brightness and hardness.
Ralph, I have owned three, the Class A Clayton M300 and M200 monoblocks and the Acoustic Imagery Atsah Ncore NC1200 monos. Maybe in comparison to certain tubed amplifiers there is a quality that some may call hardness but, in comparison to other SS amplifiers I have owned and heard, those amps mentioned would not be considered hard-sounding. IMO, none of the three would be considered "bright" sounding.

Unfortunately, I have yet to hear a perfect amplifier since all I have heard have sonic and operational trade-offs. I have owned some quite good SS Class AB amplifiers that have a hint of the brightness/hardness traits you mentioned but that were otherwise excellent. Since I notice this more after my last three amplifiers being Class A designs, and one Class D, I have wondered if maybe I am now more sensitive to crossover effects in class AB designs. In other words, could the "brightness/hardness" effect you point out be a byproduct of the Class AB design that some of the better designers are able to greatly reduce or even eliminate?