amplifier's "slam-factor"


I wonder if anyone can explain me why there are differences in the so called "slam-factor" between different amplifiers (with comparable power ratings). It is well known that for example Krell amplifiers have a high slam-factor, while Mark Levinson amplifiers are quite tame in comparison, even the most powerful ones (> 300 watts per channel). Spectral amplifiers are very fast regarding signal amplification and transmission, but I find them not very "powerful" sounding (high slam-factor), assuming speed is one of the factors which determine whether an amplifier has a high slam-factor or not.
dazzdax

Showing 1 response by bigtee

Pbb, I'm with you brother! Here we go again, Slam by whose standard. One mans slam is another mans flab! An amp is suppose to reproduce the source---exactly. If it doesn't, then it is a coloration. The problem is, who has ever heard a source "Perfectly" reproduced? I guess if we can come up with a definitive definition of slam then we can go from there.