Why will no other turntable beat the EMT 927?


Having owned many good turntables in my audiophile life I am still wondering why not one of the modern designs of the last 20 years is able to beat the sound qualities of an EMT 927.
New designs may offer some advantages like multiple armboards, more than one motor or additional vibration measurements etc. but regarding the sound quality the EMT is unbeatable!
What is the real reason behind this as the machine is nearly 60 years old, including the pre-versions like the R-80?
thuchan
I think this is a perfectly valid question, as there is some precedent.

There is a loudspeaker that was made in the late 1950s that has probably been used by more designers to 'voice' amplifiers (and other speakers) than any other. Peter Walker's Quad electrostatic speaker. It still (60 years later) stands for many as the pinnacle of speaker design. For, what it did to the all-important midrange was, and some say still is, unimprovable.

If this is indeed so, then, by extension, it is possible that the EMT 927 is, as Thuchan states, the best turntable ever made. Of course, we have to believe that it's possible that there is something better, but evidence might not suggest this.

If the job of a given piece of audio equipment is to extract information from a source that has a finite amount of information to give - and to do no harm in the process - then there might be a 'fininite-ness' in the process. There is no absolute reason to think that progress is infinite. For emotional reasons one might wish it otherwise, but this is not necessarily true.
I think this is a perfectly valid question, as there is some precedent.

There is a loudspeaker that was made in the late 1950s that has probably been used by more designers to 'voice' amplifiers (and other speakers) than any other. Peter Walker's Quad electrostatic speaker. It still (60 years later) stands for many as the pinnacle of speaker design. For, what it did to the all-important midrange was, and some say still is, unimprovable.

If this is indeed so, then, by extension, it is possible that the EMT 927 is, as Thuchan states, the best turntable ever made. Of course, we have to believe that it's possible that there is something better, but evidence might not suggest this.

If the job of a given piece of audio equipment is to extract information from a source that has a finite amount of information to give - and to do no harm in the process - then there might be a 'fininite-ness' in the process. There is no absolute reason to think that progress is infinite. For emotional reasons one might wish it otherwise, but this is not necessarily true.

Dear Halcro,

"No voodoo is any turntable rest assured! plain facts. EMT927 was designed and built with no shortcuts, power/torque & size of motor, serious bearing, platter height, distance of motor fixation to arm, the list is long....just well done and that gives us what? Well? all we need! indeed stable speed, no rumble or wow, isolation...etc. In fact if you look at the claims marketed by TT marker of this day they are just telling us that EMT had nailed them all. Simple! EMT 927 & R80 users tend to listen to their records, keep quiet and enjoy, full stop. But to really get a grasp on what it is worth? You have to get one....and in that lies the issue no doubt?.

One has to accept the limitations of any choice and EMT is no exception! With the 927 forget the "playing with arm and carts game", you don't have to change any parameters when using the excellent TSD Tondosen. Or if you have the 139st onboard forget the "matching the impedance and dishing out big bucks on phono-stages" that both come sometimes with more questions than they answer? so "idler-drive distinctiveness or something else"....no idea, I just play that deck more and more and as this community knows I have no shortage of TT's...is that an answer?
So you're really comparing a turntable/tonearm/cartridge/built-in phono stage system to a bunch of other turntables with other tonearms and cartridges. But can you say what turntables you have side by side with the EMT927, besides Caliburn and MS?

57s4me, I think your analogy is faulty but so is your premise. The Quad 57 is surely wonderful for reproducing midrange but it has some limitations in relation to bandwidth and power handling. The amplifier also must be very carefully chosen, so (at least) I don't think of the Quad 57 as an ultimate tool for evaluation of other components, especially amplifiers.
is that an answer?
Not really :-)
You are saying that the EMT sounds better because it basically IS better?
But for those of us who haven't heard one and are unlikely to........how does its presentation differ from say......your Micros or Continuum?