Sonic atributes ultralinear vs tetrode vs pentode


What are the sonic attributes of and amp running in Ultralinear vs tetrode vs Pentode. Looking to get a new amp, but live in a rural area can't audition them all. I don't like what I have heard from Ultralinear amps, too hard sounding for me. A lot of new pentode amps on the market, can't audition any. Why pick one over the other?
Thanks
Mike
128x128brm1
Al, as always, I appreciate your perspective. Thank you.

I do not consider 0 wpc an endpoint because the only time a tube amplifier, regardless of triode, UL, or pentode connection, would (practically) meet that figure is when it's shut off. And, of course, at that point, all three would be at 0 wpc. No, the lowest we're going to see in this example is the triode's 20 wpc, so that figure represents our lower boundary.

At any rate, I do not disagree whatsoever that a UL connected amplifier can make "most" of the power of pentode - "most" adhering to your strict (and, I believe accurate) interpretation of the word. In fact, it can go far beyond that, and achieve the "great majority" and "nearly all" meanings as well. That's no trouble at all; it's been done countless times.

The rub comes when the statement is made that we can meet that measure AND "approach triode linearity" at the same time. Impossible. It's akin to both ends of a playground see saw being up at the same time. Obviously, one side has to be up, the other one down, or both can be level with one another. In other words, as I've stressed, there is no free lunch. To believe anything else is fantasy.

Of course, in the strictest sense, the term "approach" can be taken to mean, even to the slightest degree, and by that I mean, 0.000001% of the way, let alone half the way there. However, in the context it's been presented, I've taken this as "most" (IOW > 50% of the distance between the two endpoints). Perhaps, that is wrong, and I've thus far happily waited to be corrected there. But I believe we need to be extraordinarily careful not to present a technology proposed in 1951, and adopted as the de facto standard not longer after, as possessing any unexpected or even mystical advantages - enumerated in the preceding paragraph or otherwise. When it comes to UL, most tube amplifier manufacturers of the modern era have been there and done that. Indeed, even tube amplifier designers who didn't believe in it were literally forced (in such entities, engineers and scientists work for the business area, not the other way around) to build such designs by the sales and marketing folks of the time.

Surprising as it may be in this thread, you might tell from my correspondence with Mike that I'm not at all opposed to UL operation. In fact, of the eight commercial high-end audio tube amplifiers I own, all but one feature UL. And that last one does not only because it uses the 6AS7G triode tube. As I said, UL has ruled the day in high-end audio since the 1950s. If I were to raise any criticism, it would have nothing at all to do with that which has thus far been discussed here in this thread; power and linearity. But I don't believe we're ready for such conversation until we level set what UL is and is not.
The rub comes when the statement is made that we can meet that measure AND "approach triode linearity" at the same time. Impossible.

Possible:

"approach triode linearity" = linearity curve lacking the 'kink' of pentodes, looking far more like a triode curve than that of a tetrode or pentode. How it misses triode linearity is that a triode will typically have a nearly straight portion of its curve where a UL will always have a bit of a 'bow' in its curve. But at the same time we have power output that is easily double that of a triode circuit. Its a nice compromise...

Of course, if you don't want compromise you will have to seek an amp with real triodes.
Pete Millett has a nice website with a lot of tube-related information. Table 1 at the end of the document at this link (a quick read) tells the story:

http://www.pmillett.com/file_downloads/ultralinear.pdf
Atmasphere, it's interesting you'd recommend a document that makes as many statements against so much of what you stand for as it does.

For example, UL operation clearly more linear than triode versus your statement made in the post previous to providing the link, "How it misses triode linearity is that a triode will typically have a nearly straight portion of its curve where a UL will always have a bit of a 'bow' in its curve." Figures 3a and 3c would show you have things exactly backwards.

At any rate, please correct me if I'm mistaken, but this is a commercial White Paper (IOW, as we all know, advertisement), put forth by the company that held the patent on Ultra Linear operation, and sought to make money on the invention via licensing fees paid for by those who wish to employ the topology. In no way do I mean to imply that's not a decent and honest path toward generating income. But do not lose perspective on the intent, which the literature is completely up-front with, "The information offered here will give the reader a positive picture of Ultra-Linear operation, and assist him in choosing an amplifier containing the genuine Ultra-Linear circuit." So, going in, we're not dealing with anything on the level of a peer-reviewed industry position paper.

Thus, that UL looks as attractive as it does against both triode and tetrode/pentode should not surprise. A discerning reader should feel the obligation to not accept things strictly as presented in the paper. Indeed, there are issues that immediately jump out at us:
1) The wpc data listed in Table 1 lie far out of the realm of what 60 years of experience with UL have proved possible, and provide insufficient background on how such numbers were generated

2) Returning to Figure 3a reveals an overall sloppiness of presentation; the triode schematic shows the screen grids (which obviously do not exist on true triode tubes, though the text of Figure 3b does reference "the same tetrode tube"), connected to the plates (yes, triode operation for a tetrode/pentode vacuum tube), with the accompanying curve traces labeled (true triode) 2A3/6B4 output tubes

3) Forgetting #2 for a moment, the text for Figure 3a, 3b, and 3c mentions tetrodes exclusively. No can say if that was intentional or an oversight; again, sloppy presentation. But obviously, if the inherent deficiencies of tetrodes did not exist, there would be no need to develop the pentode

Through such advertisements and the pressure to keep up with the competition, as I previously mentioned, designers were literally forced in to producing UL amplifiers regardless of whether they felt it the right decision or not. Obviously, the latter part of that implies many engineers (and I'm incredibly lucky and thankful to have met a bunch over the past several years) understood things were not as convincing as we were led to believe.

Regardless of truth or fiction the UL "standard" for hifi tube amplifier operation represented, triode (and tetrode/pentode) operation fell completely out of favor. In the age where the race for watts was preeminent, this hit triode all the more hard than tetrode/pentode, which could at least stand on the typical data of higher wattage and survive outside of the world of hifi. After all, what good would an obviously antiquated amplifier design that makes less than half the power and generally double or triple the distortion be to anyone?

Full credit and abundant praise must be given to the persistent courage of the Japanese in regard to the triode tube amplification renaissance. Many of us, AtmaSphere included, reap the benefits. Perhaps, tube amplifier designers will also reconsider tetrode/pentode operation in the same vein. Again, I am an obvious fan of UL, but the path to the ultimate can only come out of the position of curiosity, honesty, and impartiality.