Single vs Multiple driver loudspeakers...


What are the pros and cons between Single Driver loudspeakers and multi-driver loudspeakers? The arguments with single driver loudspeakers are that their simplicity makes them easy to drive, plus the x-over-less setup improves dynamics, not to mention no phase problems. The thing I read is that no single driver can possibly produce the full range of sound, and most necessitate a subwoofer. On the other hand, multi-driver loudspeakers can offer a full range, but some say that more than one driver introduces phasing problems to some degree.

I have a multi-driver system that sounds great. How would a single driver setup improve my sound, if at all? And if single drivers are that much of an improvement, why are they harder to find(at least for me)?

I have also read that multi-driver loudspeaker more than often need to be paired with a high wattage amp because of the lower sensitivity, ranging from 89db and less, while single drivers loudspeakers are great for low powered tube amps because of their higher sensitivity.

Most of this, is what I have read, but never really heard.

Can someone educate me?
matchstikman
I readily subscribe to El's opinion,
It just isn't fair to force an excellent midrange driver to perform woofer and tweeter duty
and would add, it's not necessary, either.
The average Lowther, Supravox, Diatone, AER, etc will get you through the dangerous 150-8kHz region famously, even without a wizzer. Sensitivity is usually well over 95db and many of these drive units allow 30+W rms, offering a prodigious dynamic range, comparatively speaking.
Cut the low Xmax FR at ~150, and leave it alone n the highs. One can easily add low frequency energy to a FR using a pair of (active) subwoofs, either a W horn or open baffle.
A super tweet, while difficult to place (wave lengths at 8-12kHz are VERY small), will do the job once you calculate its position precisely (there's always some elbow grease & maths when it comes to spkrs!).

And, you're set! Lowther PM5 & EX4 (that I'm familiar with) have no trouble anymore reproducing the complexity of a full-scale orchestra -- add a chorus too, while you're at it.
The dynamics are incomparable, of course!
Well we have some Lowther fans here. I bought mine to just fool around with. I stuck them in an empty room, with a receiver--for breakin.Every couple of hours I'd sneak in for a listen.It wasn't long till I moved the Montanas to make room. That was the week before Thanksgiving. I haven't changed the Montanas back yet. To me the simple description would be--These speakers emit a set-sound even when driven by a ss amp.----In my case a Marantz receiver. No matter what the numbers say it's the music and does it sound good?? Way simple,huh?
Gregm: According to the chart that Nelson Pass had published in that article, the Lowther DX55 showed a gradually dropping slope below appr 700 Hz. As compared to the average output levels in the upper midrange & treble regions, output was down appr -4 dB's at 500 Hz and appr -13 db's at 200 Hz. As such, without some type of equalization circuit, the usable bandwidth of this specific driver is much narrower than what you've described.

For those of you that are "into" the full-range driver approach, AudioXpress recently had an article about modifying a small Tang Band driver. After modifications, it was FAR more linear than any Lowther i've ever seen and even had greater bass extension and linearity. The fact that it is only a 3" driver severely handicaps the ability to achieve the spl's and / or dynamics of the much larger Lowther drivers. Once again, we come back to the fact that there are trade-offs with ANY loudspeaker design and they become even more complicated as one reduces the number of drivers used.

It's too bad we can't find some way to make a plasma driver both more efficient and wider bandwidth. This would solve all of our problems. Well, that and getting rid of the excess ozone that they generate : ) Sean
>
I just read Nelson Pass's writeup on his "Kleinhorn". Surely this was intended for the April issue of some magazine.
The article was published in the January 2005 issue of AudioXpress, complete with photos, text and test results. It is no joke as can be seen by the end result. Sean
>