Will a quality USB cable make a difference....

My thoughts and expressions exactly!

Br3098...personally I think it's hilarious that you would lecture Steve Nugent in your post... especially suggesting that Steve is one of those who >>...has to guess<<.

My suggestion to anyone reading these posts is to pay your own tuition (it's very modest compared to Koegz's suggestion of >>putting their [your] money in the best equipment they [you] can afford in the body of their [your] system! Body= speakers, amp, line stage and dac.<<): try several modestly priced, reputable USB cables... get them previously owned and used on Audiogon for a fraction of their original cost... and decide what works for you.

Listen with your ears, not your eyes and reading, and you will find what satisfies you.

The bottom line is that some of the above posters are suggesting that you can use just about any industrial USB cable out there... ones used for printers and any other utilitarian purpose... and you will receive the same musical qualities that a more expensive audio USB cable will provide. That might turn out to be the case, but it's not my experience and not the experience of many other DAC-based music lovers.

I agree with Steve Nugent; some of the arguments made in this thread are >>tired<< and I might add, tiring.

My only concern in this is the misleading (and disinformation) of those new to computer-based audio, specifically USB DACs. There's many promises made out there by DAC designers and manufacturers, and there are many adequate, good, very good, and outstanding designs. Newbies will not realize the full potential of the DAC of their choice without careful experimentation to find the cabling, particularly USB cabling, that will maximize the musicality of their chosen DAC source.

:) listening,

Ed

"I agree with you about timing variations. There's also latency, packet loss/corruption, and a host of other issues that can affect USB (or any almost any other data connectivity protocol)"

No, I think you missed the point. Its the cycle-to-cycle timing variations, the jitter that sets audio streaming apart from other applications of USB. This is not about missed packets or data errors. These are extremely rare.

"Anyone who wants to can find and read Gordon Rankin's excellent white papers on USB and specifically asynchronous mode operation."

Gordon does understand a lot about the software and protocol aspects of USB. That is his strength IMO.

I, on the other hand have strengths in high-speed digital design, transmission-line effects and other relevant design areas. Gordon is not the only one with async USB interface designs.

I have found that none of these async USB interfaces are completely immune to the benefits of a good USB cable, not Gordons, not mine. I have not discovered the exact mechanisms, but I know its true.

Steve N.
Empirical Audio

"Gordon is not the only one with async USB interface designs."

I'm pretty certain he was the first though!

"I'm pretty certain he was the first though!"

I believe Ploytec and other Pro Audio designers had async designs out first, resulting in products from EMU and Tascam. I interfaced these to my Pace-Car.

Steve N.
Empirical Audio