Planning to go analog


Considering two systems:

a) Teres 255 Turntable with Graham 2.2 tonearm.
b) SME 10/2 or SME 20/2 with IV.Vi tonearm

Anyone offer any comparisons between these two?

Also, don't have a clue about cartridges so any suggestions greatfully appreciated.
the_smokester
Many thanks for the learned responses.

Twl, you have very generously gone beyond the call of duty as usual. I have followed your threads about the Teres and they have been very influential.

I had a Transcriptor TT thirty years ago which was quite good for the time. However, for many of the intervening years I have been without a decent TT (Technics doesn't count). The technology has advanced so much that I feel a lot like Rip van Winkle. I am definitely a beginner all over again.

I have a technical and musical background and am not hesitant to dive into the deep end of the pool. (Dan_ed: I do have many head scars.)

Elinor: Thanks for the advice on cartridges. That is another area where I have absolutely no idea. Do you consider Teres an exotic?

On the issue of suspension: With the suspensionless TT's like the Teres or the SME 10 I was assuming that if I have isolation problems I would add an isolation table to set the TT on. Is that reasonable or does one end up with complex interactions?

Also, I have not been able to find reviews of a Teres other than on this site. Can anybody point me to one?

Finally, my main problem with the Teres is being able to audition one. I have an excellent dealer nearby who sells SME and many of the others that Elinor mentions. I have found that if I don't listen to a component before I buy it I am invariably disappointed. Buying blind (or is it deaf) usually almost doubles the cost of a component and has lead me to buy mainly from dealers who have good auditioning facilities and policies...It's actually cheaper. However, between the lauditory statements made on this site and the cost effectiveness, I am tempted to go for the Teres and buy the arm from the dealer if he will help me set it up.

Again, many thanks.
Smokester, the issue of how a table will interact with the room and floorborne vibrations is very dependent on the individual situation. I have found that my Teres actually has less problems with this than my suspended turntables. If it is possible, a mass-loaded non-suspension TT should be on a very heavy rigid stand, preferably a low one. I have found that any soft type of isolation device, including airbags and such, are severely counterproductive to the sound quality, and I cannot stand to have them in my system. A suspended TT generally will sound better with a lightweight rigid stand under it. Note that I do not say flimsy or creaky. I said light and rigid. The TT stand should be dedicated, with no other components sharing it.

You can go to Vinyl Asylum and read user reports of the Teres. There is a Listener magazine review out there somewhere, but I couldn't locate it when I tried. It was a good review, as I alluded to above. There is some anecdotal stuff on the high-endaudio.com website under "other interesting turntables".

As far as auditioning a Teres is concerned, there are no dealers. It is a factory direct sale only. This is how you save the money. Maybe you could post a question to see if there are any Teres owners in your area.

If you need to lean on a dealer, perhaps it would be better to get the SME. The dealer will have his panties in a wad, about not getting the sale of the table, and will be bad-mouthing the Teres all the way. The day I decided to quit going to dealers, was the day my system started getting better. If you really want to get up out of the muck, then you have to learn this stuff for yourself. Dealers to me, are just a large markup between me and where I want to go. If you need a dealer's service, then you'll have to pay for it. It is valuable to those that need it, and an impediment to those who don't. Personally, I feel that paying $5k or more, out of a $10k TT purchase, for distributor and dealer markups, is a pretty expensive education. And they only taught me to come back and get it in the hind-end again next time. For that kind of money, I might be better off to spend some time learning what could benefit me over and over in the future. Free yourself.

If you can't do that, then buy what the dealer has for you. If you need him, then pay him and don't try to put any impediments between you and him, in the form of a product that he didn't sell you. He will resent it, and it will affect his service to you. He won't admit it, but it is as true as the sun coming up in the morning.

I've been in this hobby, and in and around this business for over 30 years. I've been on both sides of the counter. I know how it works. There are 2 ways to go. If you use a dealer, you need to make him happy just as much as he makes you happy, in order to get your service and attention. This is costly. If you don't use a dealer, then you have to know what you are doing. That is how you save money. And also get better performance. A certain percentage of the very best products you can buy in audio, are not even available through dealers, or only a few dealers, or even custom built. Think your local dealer is going to tell you about them? His favorite music is the "Cash-Register Overture" by the Dead Presidents. :^)
TWL ,Tom you have said all there is to say. I would just like to second ALL your comments.

The_smokester If your dealer sells SME and you don't mind the price then get that, but if you want the same performance and probably better at a substantial savings get the Teres 255 and a Origin Live Encounter or Origin Live ILLUSTRIOUS tonearm! This is truly state of the art, (save for the walker or the Rockport). If money is a concern than all you really need is the Origin live silver tonearm.

For me money is a concern, if I had the Cash I would have bought the Teres. I bought the Origin Live Aurora and it was a good choice for me.

Don't worry about mounting the arm, it is not hard and you need to fine tune the arm at home anyway, so you need to learn how to do it.

I don't know what model Transcriptor you had but they were not easy to set up. If you lived with that rig I think
This will be easier.

I know you don't want to make a mistake a Teres 255 and an Origin Live Encounter or Origin Live ILLUSTRIOUS tonearm!
is no mistake.

Thank your lucky charms or whatever you want to call it for your good fortune for Audiogon. This info is not available at a dealer or in the popular USA Hi Fi rags.

Reread all of TWL Tom's comments, then make your decision.
Good luck to you!

Ron
Teres advocates are very persuasive. I like the aethetics of the Teres' wood base as well. We will see. It will be a few months before I have saved up enough to go this next step.

Thank you all.