Re: Pjpoland's comments of 04.11. One of tube gear owner's pasttimes is "tube rolling"--auditioning tubes other than those supplied in original equipment--to find audio nirvana. As Plsl says 0n 04.12, we may revert to the manufacturer's choice because the preamp or amp was "voiced" with that particular brand/model tube and a different choice sounds no better, or many times degrades the sound. Again, what sounds good to one person may not to another, and that brings up the second point made by plsl--the difference in the way he and his wife hear a piece of equipment or a tube change, even though both enjoy a live performance together. I believe this is a common experience. My wife, as with the vast majority of females, has more acute hearing in the upper registers as we age, and is extremely sensitive to glare, grain and other artifacts produced by audio equipment. She listens closely and at length to any proposed equipment, speaker or wire purchase, as well as to different tubes I might try, and makes reasoned comments. If I change wire or tubes without her knowledge, she immediately notices any difference that may be apparent and will make comparisons. It's a medical fact that males tend to lose response to highs much earlier than females and as a rule, women tend to enjoy more pronounced bass than men. The continued deterioration in male hearing acuity may be responsible for some equipment and speakers having a pronounced or "bright" treble component that is immediately noticed by women, as the overwhelming majority of audio gear is designed by men. This brings up a third point--all reviews of audio gear appear to be done by males. How good is their hearing after the age of 10-12, which is considered by audiologists to be the pinnacle of audio acuity. It would be interesting to see the graphs of audiological tests taken by reviewers from the top audio magazines, and how their hearing ability compares to the 10 to 12-year-old ear. Such enlightenment might give us greater insight to their reviews.
Please recommend Tube pre-amp(s)
I've listened to, and liked the Conrad Johnson PV 12 (a bit under $2,000) and really liked the Conrad Johnson Premier 14 ( $4,300?). However the Premier 14 is a lot of money, and we wouldn't even have listened to it except it has a remote control which my wife insists on, and then she fell in love with the higher quality sound of the Premier 14. I've listened to solid state gear from Rowland, Ayre, Classe and Krell none of which I liked although I thought the Rowland was incredibly precise, detailed [and lifeless.] The only other tube gear I listened to was the BAT preamp/amp combination which didn't do it either - I thought the sound was kind of dark and a bit dry emotionally. We felt that the CJ sound was very open, inviting and involving - we felt like part of the emotional experience of the music. I'm quite new at this and it seems like the preamp has a large effect on the overall character of the sound of the system, at least more so than the power amp. So far I have a Cal Audio CL 10 5 disk CD player and a Conrad Johnson DA-2b D to A converter plugged into my soon to be replaced old receiver and speakers. I have no plans for vinyl, so I'm looking for recommendations for line stages. What preamps can you recommend in the $2k to $4k price range with remote controls? The two dealers who had the CJ line said CJ has a distinctive sound - do you agree? If so, how would you characterize the sound from other amplification companies' equipment - like VAC, etc. etc.
- ...
- 41 posts total
- 41 posts total