Addendum: I've just learned that the Black Mambas *do* have the Z-tron technology now...another a'goner has posted pictures.
Shunyata CX Python Speaker Cables
I listened to these and was going to buy until a house...er...tree fell on my house and all the rest of Connecticut and knocked out our power. I'm sure you all know the story by now.
I still got to listen to these, and I'd love to hear from others who HAVE listened to them. I thought them excellent, excellent cables, with body in the bass as well as dynamics, but also in the upper midrange and treble ranges, without losing dynamics. And the sense of "continuity" is stronger than with my Andromedas (circa 2003) or Geminis.
They did a killer job with this CX interconnect/speaker line: tonally, spatially, coherence (the cello sounds great on this line, not as great on the Andomedas) with an absence of grain (haze?) altogether. Friggin' beautiful, but not in the sense of being colored. And the slight darkness of older Shunyata lines (mostly the power cords)is absent, and therefore a much more "elegant" sound: they hold together very well at crescendos and flutes don't disappear at fortissimos, as they tended to do when violins played in the same range. And nobody crowds anyone out, as though they're playing in an old-fashioned coke bottle and whoever's "sound" gets out first "squeezes" the other instruments' contributions. Nope, it's more like someone cut off the top 1/3 of the Coke bottle, and now ALL the instruments have equal access to do their bit when everyone's playing at the same time. Nordost has done this, too, but with a thinning out of the timbre usually (and I own [right now, this very minute] all the Nordost, from Quattro Fils, up to Valkyrjas, to Freys to Tyrs to Valhallas, so I'm not hallucinating!!!
So, what are others' impressions? I'm excited for Shunyata.
P.S. Equipment: First Sound Deluxe Mk II, ASL Hurricanes, Odyssey Kartago amps; Nola Viper IIA, Hales Rev 3, Sound Dynamics RTS 3 speakers; Arcam FMJ 23, Arcam FMJ DVD 27 Bryston BDA-1 digital; Nordost Sort Kones, Shunyata CX Python power cords, Quantum QBase and QRT Harmonizers.
I still got to listen to these, and I'd love to hear from others who HAVE listened to them. I thought them excellent, excellent cables, with body in the bass as well as dynamics, but also in the upper midrange and treble ranges, without losing dynamics. And the sense of "continuity" is stronger than with my Andromedas (circa 2003) or Geminis.
They did a killer job with this CX interconnect/speaker line: tonally, spatially, coherence (the cello sounds great on this line, not as great on the Andomedas) with an absence of grain (haze?) altogether. Friggin' beautiful, but not in the sense of being colored. And the slight darkness of older Shunyata lines (mostly the power cords)is absent, and therefore a much more "elegant" sound: they hold together very well at crescendos and flutes don't disappear at fortissimos, as they tended to do when violins played in the same range. And nobody crowds anyone out, as though they're playing in an old-fashioned coke bottle and whoever's "sound" gets out first "squeezes" the other instruments' contributions. Nope, it's more like someone cut off the top 1/3 of the Coke bottle, and now ALL the instruments have equal access to do their bit when everyone's playing at the same time. Nordost has done this, too, but with a thinning out of the timbre usually (and I own [right now, this very minute] all the Nordost, from Quattro Fils, up to Valkyrjas, to Freys to Tyrs to Valhallas, so I'm not hallucinating!!!
So, what are others' impressions? I'm excited for Shunyata.
P.S. Equipment: First Sound Deluxe Mk II, ASL Hurricanes, Odyssey Kartago amps; Nola Viper IIA, Hales Rev 3, Sound Dynamics RTS 3 speakers; Arcam FMJ 23, Arcam FMJ DVD 27 Bryston BDA-1 digital; Nordost Sort Kones, Shunyata CX Python power cords, Quantum QBase and QRT Harmonizers.
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- 16 posts total
- 16 posts total