Auricle Audio Design or Atlas Opus digital coax??

I will describe my system and a bit of my not to distant history with sources. My current transport is a chinese MHZS CD88G CD player, before i had this player i had a DacMagic DAC and Xindak DAC-8 connected to a first generation Playstation 3 (SACD compatibele). I found the DAC in the MHZS player to be pretty good so i sold the Xindak DAC-8 and i propaply also will sell the DacMagic. I normally would stay with this cd player without a DAC. But then i read a very good review from the Netherlands of a reasonably priced Metrum Acoustics NOS Quad DAC and so i tried it. It sounded smooth and balanced and a sense of cohesion i didn't witness before. So i want to use this Auricle digital cable between the MHZS transport and the Metrum Quad DAC to get the most out of it. My interconnects are also from a DIY person, they are AG audio interconnects.http://www.s-arrowcables.com/agaudioebay.html These did beat a a qed interconnect but there arent any reviews from these IC's on google to be found i believe only has the seller very good feedback on Ebay, it makes me wonder how they would compare to Joe's interconnects. As for speaker cable i use the Anti Cable, was using Chord Odeyssey before that. As for the other components i have Hyperion HPS-938 speakers connected to the Power stage of a Dussun V8i and a passive EVA II as pre amp.

PS: What is your system?

The system I listen to the most for CD is antique, but effective.
CD Source is JVC XL-Z1050 upgraded by an engineer for use as transport. Machina Dynamica "Code Turquoise" Green CD tray covering. Bedini Ultra De-Magnetizer spin for CD before playing. Herbie's Audio Lab Super Black Hole CD Mat.
Digital output signal processed through an interface box called the Genesis Digital Lens. Digital output from the Lens next goes to
one of the first-ever tube output DAC's which were then an innovation over twenty years ago from the Anodyne brand of Scott Nixon. Tubes were chosen by "tube rolling" until it sounded best to my ears
The system uses two unique custom digital interconnects from Joe Mazzaglia of Auricle Audio Design. These are painstakingly created to beat his over-the-counter usual wonderful offerings. So, I guess I can call them super wonderful.
Next, from the DAC tube output stage the analog signal travels via Joe's unique custom analog IC's on to a rare heavy industrial strength and appearance preamp with the famous Acoustat logo on the front, but no model name.
I don't recall the original name of this very limited edition unit. Its exterior is ugly, but the phono preamp section is incredible - that's where my audio heart resides. The line stage amp is excellent, too. I bought this on Audiogon and never have seen another just like it.
I should mention it was Joe's best digital and analog IC's of regular construction which first hooked me on his abilities to really optimize signal transfer, without exorbitant pricing. I still use these original regular editions elsewhere.
The amp is one from an evolutionary series made by Cary Audio; mine is the SLA 70 Sig (output is only EL34 )with all tubes selected after tube rolling.
My speaker wire is Reality Cable. Another outstanding boutique manufacturer.
Speakers in this system are from an evolutionary series by talented designer Philip R. Clements (now of Solusaudio.com), with planar ribbon tweeter and patented variation on transmission line bass for the Clements RT-7 floor stander with special original issue stands.
I use Herbie's Audio Lab "Big Fat Black Dots" as footers.
Incidentally, I listened for a very long time to your speakers at a manufacturer demonstration some years ago, and your speakers sounded excellent enough for me to purchase, except too many speakers owned already.
Lastly, I have placed two Clever Little Clocks from Machina Dynamica in this listening room for many years with audible improvements. These devices fall under the category of "guilty pleasure" because of potential for negative reaction from Audiogoners who have never tried them.

Nice, i will post when Joe's cable arrives and have a chance to listen some music.

I received my Auricle Audio design digital RCA, it looks very nice build :thumb:
The cable replaced an old Profigold digital RCA.
In comparison, straight out of the box the Auricle cable sounds better, clearer and openener from the first notes of music i listened to, the familiar curtain taken away when an improvement takes place in a setup, defenitly a keeper this cable.
I never thought before i could ever pinpoint differences in the digital domain but i did.

PS: Joe mentined that this cable has a direction for the signal, the signal should flow towards the end with the serial number. So if i am right, the end of the cable (wich connects to the pre amp) is the end where the serial number is and the end without serial number to the source??