Vintage DD turntables. Are we living dangerously?


I have just acquired a 32 year old JVC/Victor TT-101 DD turntable after having its lesser brother, the TT-81 for the last year.
TT-101
This is one of the great DD designs made at a time when the giant Japanese electronics companies like Technics, Denon, JVC/Victor and Pioneer could pour millions of dollars into 'flagship' models to 'enhance' their lower range models which often sold in the millions.
Because of their complexity however.......if they malfunction.....parts are 'unobtanium'....and they often cannot be repaired.
128x128halcro
Halcro,
I am using a thin sorbothane sheet against the platter, topped with a thick achromat and a brass center weight. How are you dressing the platter?

Also, I am considering an outer ring, but am worried about how the extra weight will effect the motor and speed control.

I am picking up the TT101 tomorrow, fingers crossed.
Dear Henry,
The question you raise has also interested me from time to time. The internet is full of information on motors. However, much of it is written using jargon that is unfamiliar to me and therefore quite dense. But here goes my current understanding: (1) Not all cored motors have 24 poles. A cored motor can have as few as 2 poles, but such a motor would exhibit a pronounced cogging effect. Cogging is the tendency of a motor to want to stop when the magnets are aligned such that the distance to the attractive element is minimal. Obviously, in turntable motors, we do not want cogging. In general for cored motors, the more poles, the less cogging effect. A 24-pole motor is likely to exhibit markedly reduced cogging compared to a 12-pole motor. The SP10 Mk3 has a 24 pole motor. If the Victor TT81 does, that's good. (2) Coreless motors either have zero cogging, because there is no iron in the windings, or they have very little cogging. (I have trouble with this issue, since I see contradictory statements on the internet, but it seems to make sense that coreless motors would not "cog"..) As far as I can tell, coreless motors do not have "poles" per se, so the question is irrelevant. I have also seen the statement that "slotless" motors have zero cogging. Whether coreless and slotless are synonyms in motor jargon world I have not yet figured out. In any case, the L07D and TT101 motors would have zero cogging, most likely. I think this gives rise to the "fluidity" that Hiho and I hear. Did you notice such a thing as regards the difference between TT81 and TT101? If anyone has a clearer understanding of the consequences of coreless motor design, please jump in here.
PS. Yes, coreless = slotless. Just found a site that confirmed my impression. And coreless motors do not exhibit cogging.
As far as the sound difference between the TT81 and the TT101 I would have to say it is more of a feeling difference, I am more relaxed with the 101 - no gritting my teeth or other tensions. The feeling is that the music flows better and is more easily pulled into me. Words fail me.
Aigenga, I think what you wrote could also be termed an increase in "fluidity". In any case, what you wrote would be another fair description of what I hear with the L07D as compared to other DD turntables I have owned which use motors with iron or steel cores. (Jury is still out on a comparison of L07D to Technics SP10 Mk3, however. Mk3 has fantastic "liveliness", for sure.) However, let me caution that this is the type of deductive reasoning one should really avoid (relating the L07D's fluid sound to the lack of cogging of its coreless motor), even though I am guilty of it here. The one observation is not necessarily related to the other factoid.