Will SME-V, etc benefit with non-stock alignment?


Hi,
it was suggested by some most knowledgeable member(s) on the subject of tone-arm alignment, to start a dedicated thread for 'fixed' stylus-to-pivot measurement arms.

To my knowledge those would be ALL SME arms, as well as ALL Linn arms -- there might be others.

The issue in particular is the method of overhang adjustment by moving the pivot (bearing arm post) a la SME to accommodate slight variations in cart design. Linn does not even offer that (go buy their cart(s), and get a life :-)

In the case of SME, the expected mounting hole to stylus tip distance being 3/8" or in more 'current metrics' 9.52 mm. (sorry not US quite as yet, i.e. both are valid)

If a cart has this design criteria, AS WELL AS! the cantilever in the centre AND STRAIGHT with respect to the cart body / mounting screw holes, and more recently all with a tapped thread in it, they would HIGHLY qualify, or?
BUT, how do you see, or know this is the case in the first place, when purchasing a cart?

Given ALL is right-on within spec. you then are 'stuck' with the alignment that, e.g. was decided (for you the purchaser).
As soon as you'd like to try some other alignment scheme, and there are some: Löfgren A (Baerwald) -- the SME point of view/choice, Löfgren B, Stevenson, plus in fact you may make up your own, that may be to your liking. BUT NOT with any of the 'fixed' type arms, since it'll play havoc with the arms intended alignment geometry. (Ask DerTonearm if you don't believe me. He'll give you the low-down right to the 100th of a millimetre!)

So far, so good. You can go to one of the expert template makers, state your case, give your cart and arm parameters and ask him to make on for you. 100$ ---- to 500$? somewhere around there.
BUT WICH alignment then please?!

One you think is better? The same? Why bother for the same?!
And IF different, will it actually work for you?

Well, if not, go spend some more 'greens' on the next try?

Of course if you are aware of these issue, you just go and buy another arm, right?
Hallo, but what about synergy for SME decks, ditto Linn decks and arms?

So hope to have made the point sufficiently clear. So let's see what we can learn, that we do NOT know as yet.
Could get interesting, I hope so.

But please keep it informative and don't come tell us a dentists drill will be a better choice than XYZ tonearm choice.
Thank you for reading,
Axel
axelwahl
Ok Giggsy, you see so things can get mixed up.
Now in your 8mm case, Jonathan, and as you know he's the Lyra main man, mentioned the Clavis of yours is rather old, by design and otherwise not been sold anymore for some years by now. It being the pre-dresser of the then early Helicon, (itself changed at least once by now, my edit)

By this he explained why it was so 'otherwise' than their newer cart, and i should say a NO-NO for a fixed arm type. I hope this makes some sense. (I better ask this more often lately...)

Axel
Yes, I think I bought this back in 1996. I've had the same arm and cartridge since then. Prior to that I had a Lyra Lydian.
Mike, it sounds like the base of your Skala has been pushed backward relative to the pillar, probably during a mounting/unmounting operation. Unlike any of our other cartridge models (which are all monolithic structures), the Skala employs a two-section structure which is comprised of a small-footprint vertical metal pillar (which the cantilever assembly is mounted to, and a larger-footprint horizontal polymer base which carries the mounting screw bosses. A slide-and-rail system friction-fits the two sections to each other, thereby providing a relatively lossy interface (and therefore greater mechanical damping), but the downside of such a system is that under certain circumstances the sections can move slightly relative to each other.

Once the mounting screws are torqued down, they cause the polymer base to compress and bend, which then pulls the footprint of the vertical pillar firmly against the headshell surface so that everything is locked in position and cannot move. But if the polymer base is pulled or pushed before the mounting screws are in place and properly torqued down, it is possible for it to slide fore and aft. There is a built-in stopper to prevent excess base movement, but the base can slide a little before it hits the stopper. Mike, if you have measured 10.5mm from mounting screwhole center to stylus, it means that the polymer base has been pushed back relative to the metal pillar and should be pulled forward a little.

It is possible to pull the polymer base back forward, but you need to be very sure and very careful when doing this - otherwise there is a good chance that you will break the cantilever. If you want to try to nudge the base back to where it belongs and feel that you are up to the task, send me an email and I will think of a suitable way to describe the procedures that you need to take, with as little hazard to the cantilever as possible.

I am not going to post this information publically, because someone is going to follow the instructions, make a mistake and trash the cantilever.

FWIW, the exact location of the polymer base means absolutely nothing for the sound and performance (the Skala can play happily without any base at all), but for easier setup with arc protractors, it is better that the base is in the right position.

regards, jonathan carr

PS. Is anyone familiar with the Max Townshend gauge (US patent 166,447)? The actual gauge is a little different from the patent, primarily in how the error lines are defined. The patent shows straight error lines which indicate the error amount in degrees, while the actual gauge has curved error lines which indicate the error amount in distortion percentages. I find this tool to be quite useful, and extremely versatile (even when the hole for the arm pillar has been drilled in the wrong location, or the geometry data for the tonearm is missing).
Jonathan,

Thanks for your PS reference. I think you are referring to US Patent #4,351,045 - I tried a search on the number you gave and it spit out a result from 1875 - a bit before Max's time.

This sounds like quite the fascinating tool/idea; I've never actually seen the device, but I'm always on the lookout for new and different ways to skin the proverbial cat. Cheers,

-Richard
Hi all,
seems that thread got exhausted quite quickly. And what I take from it:
There is NO benefit with non-stock alignment.

Jolly good to know, it will save me some bucks spending on any of these aftermarket protractors.

Thank you for sharing,
Axel