ZYX UNIverse X-SB 0.24 sounding "too much"


Hello everyone.

Recently acquired UNIverse x-sb 0.24 and using it on a Naitais Lenco L75 + Ringmat Anniversary with SME3012R arm and it sounds "too much". Comparing to the XV1s (tracking at 2.10), it sounds "too much", female vocals are too much. Another way to put it is too dynamic(?). It's doesn't sound worse than the XV1s, but very very different. Currently tracking at 1.95 or there abouts. Any ideas? Adjustment, tweak issue or loading, or tracking angle?

Rest of vinyl front end is Audio Note M7 with Bent MU 1:20 Silver transformers. Universe loaded to about 110 ohms. XV1s run on open load 125 ohms.

Regards,
David
linnmaster
Just tried the XV1s at loaded down to 9.04 ohms as per the UNIverse. It sounds really bad and closed in. Took off the resistors (open load of 125 ohms), and it's magic. For some random reason, the loading that I'm getting best results seems to be similar to that of active gain stages.
I am with Halcro on the UNIverse set up. Have had it in many arms and have found a wide +/- tolerance to set up paramters for VTF, VTA etc. In many ways the cartridge is somewhat benign to different arms, seems to work best in mid effective mass arms. I did find the bass missing a bit more in unipivots and the best match so far is the Grandezza, but frankly it sounds wonderful in a variety of good arms - which makes it an attractive proposition to acquire. I have it at 1.9g and neutral VTA,using Baerwald alignment.

Steve
Universe has no bottom end and is congested no way. Listening to several well recorded lps Beatles Abby Road, Eagles first lp with serious lower bass you not only could hear but feel the music. Using my phono amp with my other phono front end gear i have full taunt bass and all else. Universe will produce a spectrum of sound that will please the ears.
If you are using Universe and not getting these results you need to look at your other components there is where the problem will lie.
I haven't lived with a Universe so I can only go by what I hear in Doug's system, which isn't too much different from my own. So take this for what it's worth and please remember that Linnmaster is looking for answers to his loading questions.

I have never heard the Universe be bass shy or congested. I would pretty much agree with what Halcro posted as to how he describes the Universe. I have also heard the difference when Doug makes one of his nudges, usually resulting in a focusing of the instruments. Granted the Universe can sound great without the extra bit of adjusting, but doing so can improve performance if done correctly.

I have lived for several years now with my XV-1s and have even mounted my Dyna on Doug's table for a direct comparison. I would say that this Dynavector gets you at least 80% of what a Universe is capable of. That's just my opinion so don't anyone go nuts. But I don't think that is odd given that the Universe costs much more. The XV-1s more than suits my needs. I am very happy with it.
Halcro,
It's certainly not my intent to turn anyone off the UNIverse. Far from it! I agree with you, Radicalsteve and many others that it stands above any cartridge I've heard for reproducing like a master tape (nicely put by the way).

My stating how critically we adjust may seem offputting to some, I guess it's just what we do. We hear the differences (Dan_Ed, Swampwalker and Raul have heard them too) so we adjust. Whether they, you or anyone else does is up to them, and certainly not worth worrying about.

Last night we listened for hours, just for pleasure, not doing any sort of audiophile testing or comparisons. The program was a bit mixed:

Beethoven Symphony #2, Hogwood/AAM, L'oiseau Lyre

'Les Plaisir de Renaissance', Dansons et Chansons, luth & flutes a bec with counter-tenor, Harmonia Mundi (France)

Beatles, 'Abbey Road', MFSL

The Biggs Bach Book, E. Power Biggs, Columbia Masterworks

'Trio', Dolly Parton, Linda Rondstadt, Emmy Lou Harris, Warner Brothers

The bass on Abbey Road and on Biggs' organ was tremendous, especially considering the limited dynamics of the Masterworks pressing. So were the drums on the Beethoven.

Did we adjust VTA for each LP? Yes, but we've done that for years, starting before we ever owned a ZYX. Other cartridges have needed VTA "right" more than the UNIverse. Our Shelter 901's frequency balance changed alot with arm height. No ZYX ever makes gross errors like that, VTA just gets the timing between fundamentals and harmonics right.

Did I tweak VTF occasionally, by .005g or less, to get the sonic balance just right? Yes. Our ears say to do it so we do. For us, optimal VTF is so critical that it can change from LP to LP, but this is because we play on the knife's edge of mistracking. Our visitors always hear the right spot when I demonstrate, but they might not notice or care if I just set it say .1 gram heavier and ignored it. We notice, so we adjust. Call us fanatics. :-)