In reality, the conclusions are clear. But when it comes to sound quality, it’s pretty straightforward: it works, it doesn’t work well, or it doesn’t work at all. The cables sometimes perform very well. At the max...
SPDIF cables are essentially SDI cables (video). The same.
Professionals use "our" digital cables, and professionals are picky. It’s SDI: coax, BNC, 75 ohms-in short, the ones listed in the tool. We buy those too (I use Belden and Canare).
The PROs: This is for digital video:
- 800mV but with a 10% margin. Basically, they’re happy if they lose 50mV over 50m. For us, it’s 500 mV, but we have a 300 mV margin in SPDIF
- It’s 270 Mbps for 480i and 3000 Mbps for 1080p60... for us, it’s 96 kHz 24-bit: 6.1 Mbps
- It’s 270 MHz for 480i and 3,000 MHz for 1080p60; ours is 12 MHz
- The Pro has an 80mV margin, and we have 300mV
- It’s 20, 30, ... meters and cables sometimes exposed to EMI; for us, it’s 2 meters in a living room.
Just to clarify, when it comes to video, we’re talking about fundamental frequencies. So you have to divide by two, but anyway, we’re still in the same order of magnitude here.
What can make a difference is the error rate and jitter. The cable shouldn’t add jitter to the receiver’s natural jitter. Over a few meters, there’s no risk with Belden, Canare, Mogami, or similar cables. But with an older receiver, a good cable matters more than with a modern DAC paired with a latest-generation receiver that compensates for jitter no matter what.



