Burn in and peer reviewed brain research


Not to broach a religious topic, but I know burn in discussions happen all the time in audio circles. Until today, I had not found any scientific research from the brain side.

This article was interesting:  https://pmc.ncbi.nlm.nih.gov/articles/PMC10898501/

It is a 2024 review in Cureus (Kalchev, PMC10898501) that surveyed the physiological, psychological, and social dimensions of audio burn-in. It found no substantial evidence for mechanical changes producing audible differences, and instead identified several well-documented mechanisms — ear fatigue, confirmation bias, placebo effects, and neural acclimatization — that adequately explain perceived changes without requiring the equipment to have changed at all. 

Has anyone found other literature of this type – physiological, psychoacoustic, rather than engineering/mechanical? I'd be curious to learn about it.

Of course, anyone who wants to put their hand on a bible and swear that burn in is real based on personal experience is welcome to do so, but I'm hoping to find things beyond the anecdotal.

hilde45
Post removed 

@audphile1 Furutech GTX-D NCF Rhodium -- my Porter Port would be so crestfallen if I found a new, er, outlet. 

1. The article does not conclude that sonic changes during a burn-in period are not a physically "real" phenomenon. It merely finds that, in some cases, psychological factors can influence such perceptions.

2. As the OP predicted, I can state with some certainty, from personal experience, that at least in some instances, the phenomenon is real.  The low-end of my Audeze LCD-X headpones changed dramatically after a week of burn-in.  At first, I thought they might be defective, with so much mid-bass that the lower mid-range of The Beatles’ "Come Together" was barely audible.  After burn-in, the bass was tight and realistic.  I can confidently state that this was not confirmation error -- it was like dialing a tone control from 10 to 3.  In fact, to my surprise, I experienced a similar experience with a pair of LCD-3 phones a few years later.

3. Conclusion?  Like so many other audiophile controversies, the thing to remember is that you can’t prove a negative.  Some can say that they definitely heard a sonic effect, some can say the opposite.  If the question is whether such a sonic effect CAN exist, the former is evidence, the latter is not.

IOW, burn-in is a real thing is some cases.  In others, it may be little more than a psychological illusion.  Case closed.

But come on -- didn’t we already know this?