Jazz for aficionados

Bourgeois  had a life too:  SS officers listened Bach before killing and i am sure General Custer was able to appreciate an opera before killing Indians. They were all "want to be bourgeois" at the end... We kill for comfort...We listen music for comfort... I want to learn through my experiences...

Funny, how Jass was once the music of the whorehouse, the bordello, the honkytonk, devil’s music, the red light district, the music played by a group of people who were called by and with such a very derogatory word I cannot say here on this thread. And now, it has become the music of - to coin a french term/word/phrase, the ’bourgeois’.

I want to learn through my experiences...

I couldn't have said it better any other way myself... 

@mahgister,

Just out of curiosity I postulated this question to Google AI:

What influence did the French Canadians and/or Cajuns have on the music of American Jazz?

This is the answer given to me:

French Creole and Cajun cultures deeply influenced early American jazz, primarily through the unique musical environment of New Orleans. They contributed a blend of African rhythms, Caribbean influences, and French folk melodies, alongside instruments like the fiddle and accordion, creating a distinct, syncopated, and improvisational foundation.

Key influences on American jazz include:

• Creole of Color Musicians: In New Orleans, educated "Creoles of color" blended formal European musical training with African rhythms, playing a pivotal role in early jazz orchestras.
• Syncopation & Rhythm: The melding of Afro-Creole music with New Orleans blues and ragtime introduced a distinct syncopation, differing from European styles.
• Musical Instruments: The accordion and fiddle (key to Cajun music) became integrated into the Louisiana musical landscape, providing rhythmic and melodic elements.
• Cultural Fusion: Cajun music, with its roots in Acadian folk music, contributed to the overall Louisiana sound. This blended with African rhythms, Spanish influence, and the blues, contributing to the unique atmosphere in which jazz was born.
• Improvisation: The "jurés" singing style (Black Creole) and the improvisational nature of early Louisiana French folk music directly fed into the improvisational nature of jazz. 

   

While Cajun music is often considered a distinct genre (closely related to Zydeco), its parallel development in Louisiana saw constant exchange with early jazz, especially through dance music, waltzes, and two-steps.

And for a deeper dive:

French Canadians (Acadians) and French Creoles significantly influenced early American jazz by introducing European musical structures, classical training, and specific dance forms to the multicultural environment of New Orleans.

While "Cajun" music itself is a distinct genre from southwest Louisiana, its roots in French-speaking Acadian ballads from Canada contributed to the broader "French" cultural landscape that birthed jazz. 

Key influences include:

• Musical Sophistication and Training: Many "Creoles of Color"—people of mixed African and French/Spanish descent—were classically trained musicians who often studied in France. They brought a high level of technical skill and discipline to the early jazz scene, serving as essential teachers and bandleaders.
• European Dance Forms: French dance styles like the quadrille provided structural blueprints for early jazz compositions. For example, the famous jazz standard "Tiger Rag" is believed to have originated from various melodies of a French quadrille.
• Melodic and Folk Roots: Traditional French folk songs, street cries, and ballads brought from Canada and Europe were integrated into the musical fabric of New Orleans. These melodies often served as the basis for improvisation by early jazzmen.
• The "French Tinge": Similar to the "Spanish tinge" noted by Jelly Roll Morton, the "French tinge" refers to the pervasive influence of French culture—including the language, Catholic religious music, and military band traditions—on the development of the genre.

While French Canadians are not typically cited as a primary origin of American jazz, their cultural and geographical ties to the "French world"—specifically through the New Orleans - Paris connection —played a significant role in the genre’s development and global survival. 

This makes sense. Now I understand why artist such as:

• Freddie Keppard & The Original Creole Band: Credited with bringing early jazz to Canada, this group played the Pantages Theatre circuit in cities like Winnipeg in 1914 and 1916, marking some of the first jazz performances in the country.
• Jelly Roll Morton: Performed in Vancouver, B.C., around 1919 –1921.
• Josephine Baker: The legendary entertainer performed at the Gatineau Country Club in Ottawa in August 1955. Not to mention in 1925, taking Paris by storm with her breakout performance in La Revue Nègre at the Théâtre des Champs-Élysées on October 2, 1925 along withSidney Bechet. 
• Sidney Bechet: Toured Canada in 1937–1938 as part of his extensive travels during that period.