I think you want to be careful generalizing about the tonal characteristics of streamers, because anyone’s individual experience is likely to be different based upon their setup. The reason that different streamers seem to exhibit slight tonal or sonic differences, even absent digital processing differences like up/oversampling, dsp, etc., is primarily due to electrical engineering factors like jitter, power supply noise, and electrical isolation (galvanic isolation) impacting the DAC's performance.
So while they pass the same digital bits, the quality of the transport (handling of timing/noise) differs as follows:
- Jitter (Timing Errors): High-precision clocks reduce jitter, which can affect the DAC's analog output, resulting in different perceived soundstaging or, rarely, tonal qualities.
- Electrical Noise & Isolation: Poorly designed streamers can introduce electrical noise (EMI/RFI) into the DAC via USB or SPDIF, affecting the analog stage.
- Power Supply: Better, cleaner power supplies (linear vs. switching) reduce noise floor, allowing for a cleaner signal, often perceived as a "blacker" background or more detail.
- The DAC's Sensitivity: If the DAC is well-designed with good jitter rejection and isolation, these differences become nearly inaudible.
In sum, the interaction of these factors influence the extent to which one can hear fully the characteristics of one’s DAC. So if one person has a warm DAC, and one person has an analytical DAC, moving from a higher noise streamer to a lower noise streamer could result in a “”warmer” or “leaner” sound, depending on the DAC. Ascribing tonality to the streamer, imho, is inappropriate, even when the change in tonality occurred due to the change in streamers.

