in 85 it would have been impossible to produce a commercial multitrack album purely digitally because there was no software capable of doing what outboard compressors, equalizers, reverb do.
Except that well-made classical recordings rarely resort to outboard compressors, equalisers or reverb. From Mercury Living Presence through RCA Living Stereo and on to 2L today, many classical recordings use purist microphone techniques where sound quality is determined by the conductor and musicians, not some bloke on a mixing desk.
1985 is about 15 years before the SACD specification was released. But Pentatone, for example, has access to quadraphonic recordings made in the 1970s.

