@mahgister I’m going to try to explain this as simply as possible, in layman’s language. Failure is what happens when one loses sight of the goal. You cannot see the forest for the trees. You do not seem to understand that the room acoustics and psychoacoustics that you are so concerned about all form part of what one hears at the listing chair. The sound that is heard by our ears and perceived by our brain is the resultant sound. The resultant sound is the composite sound that is the net result of all the contributions from all the elements that impact and effect the sound heard, at the listening position.
People like yourself get hung up on trying to optimize and address each of those contributors to the resultant sound, such as yourself trying to optimize room acoustics and others for instance trying to optimize the electrical power delivery and how clean it is and so on. A person with go nuts trying to optimize each of these individual contributors to the resultant sound as they are many times a function of each other and as one adjust one item it inadvertently effects something else. There are so many variables that contribute to the resultant sound, at the listening chair position.
Most audiophiles do the same thing you are doing and focus on one or more of the contributors and attempt to address and optimize them.
Then there is me, I simply accept all of these individual contributors as they are and accept them “as is”, for what they are, “the given”. I simply ignore ALL of these individual contributions that make up the “composite” resultant sound, at the listening share position, and instead I focus ALL of my energy on ONLY addressing the “composite” resultant sound that I hear at the listening chair. I then make real-time adjustments to the sound until the “composite” resultant sound that I hear matches the sound that I want to hear, the “target sound”.
Again, I do not care to get bogged down on addressing the contributing elements because at the end of the day, THE ONLY THING THAT MATTERS IS THE COMPOSITE RESULTANT SOUND THAT ONE HEARS AT THE LISTENING CHAIR POSITION!!!!!!!!!! It is all baked into the sound heard by the ears and perceived by the brain when seated at the listening chair.
I developed my approach as “There is a smarter way” of getting things done in audio. I’m always looking at doing things in a smarter way and find the whole audiophile approach pretty silly and lacking intelligence so I developed my own way of executing adjustments to get the sound that I’m after from ANY “capable” system.
It may seem like I just shared my secret and unique technical development but the real intelligence and knowledge required is about its implementation and in order to achieve success you MUST have a clear understanding of all the elements at play and what adjustments to make to achieve the desired result, that will yield the target “composite” sound that is heard at the listening chair position.
I am the only one in the world doing this, and I’m able to implement my approach in various ways and approaches to achieve the desired end-results. I simply refuse to do things the way others do and ALWAYS try to come up with a SMARTER way for everything.
Are you able to comprehend what I just stated above? Or are you still stuck on room acoustics and psychoacoustics?
