DAC for all tube 2 channel set up?


I have a McIntosh tube amp and pre-amp. I usually play vinyl on my system, but I have decided to load my CD collection into lossless format on my Mac computer along with countless live shows I have stored as flac files. I am looking for a DAC around $500 new or used that will allow me to play my digital files stored on the computer through my analog setup. The Mac has a toslink output, therefore I dont need USB support. I have looked at MHDT Paradisea, Cambridge Audio Dac Magic, and PS Audio DL3. MHDT sounds interesting, but I wonder with my tube set up, if it will be too slow. Anyone A/B with the PS Audio? Let me know what you think.
abruceaudino
I totally agree with Blindjim's assessment of the Bel Canto--it's a great dac, as my latest DAC shootout proves. If you can spend the extra dough, it's a good buy. I use the Bel Canto UBS link to output usb to SPDIF from my mac and that way the USB input isn't an issue.

The MHDT Havana (have heard the paradisea plus, but not extensively) sounds slightly diffused compared to the Bel Canto. What I mean is that if a voice is dead center and occupies a particular space in the soundstage with my bel canto, then with the Havana, that space is slightly wider, and less pin-pointed. What this means for sound staging is that it isn't as detailed as the Bel Canto, but is still very good. All my judgments are relative to the bel canto, so when I say less detailed, I mean that the guy in the third row who farts during a recording is there, just quieter with the Havana than the bel canto. Bass is a little rolled off compared to the Bel Canto, but at least in a nice-sounding way. If you're looking for "tight fast bass response" as you said, then the Bel Canto will be tighter and faster, but the MHDT won't suck.

All-around the Bel canto is more versatile, as pointed out. The MHDT has multiple inputs, but the switch is on the back, and it needs to be reset if you switch between sources. I think that given what you say about your system and your listening prefs, you may want to experiment and see what works best. Benchmark has a 30 day return policy, as does PS Audio. Music Direct will also let you return before 30 days, and they care a couple of dacs. The MHDT's sell used quickly, so it's not risky buying one and selling if it doesn't work out. I say take your time, and see what works best. If SS makes you nervous, start out with a tube one and move from there. If you don't like NOS dacs, then start with an oversampling dac., etc. Upsampling is a whole other can of worms.

....and do take notes during your trials if you proceed that way.

My last thought is this... 24/96 is a very good rate overall. it's not the tip top though. Higher sampling rates and word lengths seem to me to give more resolution in an easier softer way. There too is more and more of the high res files being made available now... and quite soon, even more so. So if you think ahead somewhat, a DAC capable of doing 24/192, or even DSD as well as the norm PCM, could gain you some versatility down the road.

The diffs however from 24/96 & up, are closer than one might think, and the rig will yield more or less those diffs depending... albeit it's not night and day sorts, but mere flexibility.

HAVING HEARD THE OVERSAMPLING ASPECT ON A COUPLE DACs, I'm not a fan of it but it could just be the DACs in that price range. I think you could go either way SS or tube DAC and be pretty OK with things... I'd start cheap and move up a few steps and see what's what for muyself. I prefer a hands free operation myself. Plug and play... with a DAC.

Good luck... let us know what you do ultimately or along the way.