What is meant exactly by the description 'more musical'?


Once in awhile, I hear the term 'this amp is more musical' for some amps. To describe sound, I know there is 'imaging' and 'sound stage'. What exactly is meant by 'more musical' when used to describe amp?

dman777
To realize and understand why your smug laughter is ridiculous in the face of the complexity of the problem and your real or simulated incapacity to understand the concept of musicality here is the definition from Wikipedia
 
Smug laughter? Hardly. OP asked "what is meant by more musical" and you basically said that the definition is to buy an amp from Atmasphere. That was hysterical laughter. Everything below is lah blah blah that does not answer what OP asked.
 
 
 
From Wikipedia, the free encyclopedia
 

Musical acoustics or music acoustics is a multidisciplinary field that combines knowledge from physics,[1][2][3] psychophysics,[4] organology[5] (classification of the instruments), physiology,[6] music theory,[7] ethnomusicology,[8] signal processing and instrument building,[9] among other disciplines. As a branch of acoustics, it is concerned with researching and describing the physics of music – how sounds are employed to make music. Examples of areas of study are the function of musical instruments, the human voice (the physics of speech and singing), computer analysis of melody, and in the clinical use of music in music therapy.

The pioneer of music acoustics was Hermann von Helmholtz, a German polymath of the 19th century who was an influential physician, physicist, physiologist, musician, mathematician and philosopher. His book On the Sensations of Tone as a Physiological Basis for the Theory of Music[7] is a revolutionary compendium of several studies and approaches that provided a complete new perspective to music theory, musical performance, music psychology and the physical behaviour of musical instruments.

 
 

 

 

A good system an OPTIMAL system cannot be only good for one style of music...

This is completely beside acoustic understanding of what is a "musical sound" ...

Buy some beats headphone or a boom box it will do ...No need of acoustics for you ...

You are probably going to get some push back from more than just me on that one. I have never done the SET experience, but I am intrigued. "Goose bump territory" or so I have been told. But years and years and years  ago I liked it loud and louder, and given what I know about the thrash metal scene, 14 or 15 wpc wouldn’t sound "more musical" to that crowd. "Beats headphones"? I don’t even know what those are. Boom box? No, 30 years ago I had a rack system, and it was ggod for background, but I really didn’t find it engaging enough to sit in front of for hours and enjoy what I consider a "more musical" experience. But keep it coming . . . I find your attempts at insulting me amusing, although not as hysterically funny as your "buy an Atmasphere amp" definition of "more musical."

However, in that case, "more musical" may differ depending upon one's musical tastes.  If one was a thrash-metal fan, one might find different equipment "more musical" than if one was a fan of chamber music.  If one was a fan of the latter, one might find a 12 wpc SET amp and some high efficiency speakers to be "more musical."  If one bought that combination to jam out on Mega Death, one would probably be disappointed.  A massive SS amp with some huge JBLs might be "more musical" in that application given your definition.

@immatthewj I see this as entirely false. The reason is that no-one has ever documented a way that electronics can favor one genre of music over another. As a result, what makes a system good at classical will also make it good at rock. As you know orchestras can play pretty loud. I play classical, gothic metal, electronia, folk music and the like all on the same systems in my house. They all do all forms equally well.

All humans share the human hearing rules. So we all very naturally concoct our musical compositions inside of those rules. So if you measure the energy spectrum of a well recorded metal band you'll find its not all that different from that of a well recorded orchestra at full tilt. I'm not saying that certain instruments are not asked to carry unusual energy for a bit; when that happens its usually not sustained unless the musician is making some sort of point. For example the piccolo in Mancini's Baby Elephant Walk.

When I encounter the myth that certain speakers or amps or combinations thereof can favor a certain kind of music, I've found that if I can dig into it, the simple reason for this is the person entertaining that myth hasn't heard everything- not every recording and not every system. The more exposure you have, the more light is cast upon this particular myth; the quicker it dissipates.

@atmasphere , so you are saying that the thrash-metal guys would dig 14 wpc of SET with some high efficiency speakers? I think you are wrong. That crowd wants to rattle windows, shake the walls and piss off the neighbors. And that is how they define "more musical."

"Musical" in acoustics is not defined by deaf 50 years old rockers who dream to put walls of Jericho fall down again ...And doing this they will put atmasphere tube amplifiers in the trash bin and will bought 5,000 watts amplifier to do so , BECAUSE THIS IS THEIR TASTE ...

By the way i never said that atmasphere amplifier are the only good design on the market... This is your usual misreading of my post...I said that his design are well known for a reason: he apply psychoacoustics knowledge  to his design ...it is enough for me...

You get it ?

Psychoacoustics rule audio gear not the reverse...

buy a book ...

 

@atmasphere , so you are saying that the thrash-metal guys would dig 14 wpc of SET with some high efficiency speakers? I think you are wrong. That crowd wants to shake windows and piss off the neighbors. And that is how they define "more musical."