I don't want to beat a dead horse but I'm bugged.


I just can't clear my head of this. I don't want to start a measurements vs listening war and I'd appreciate it if you guys don't, but I bought a Rogue Sphinx V3 as some of you may remember and have been enjoying it quite a bit. So, I head over to AVS and read Amir's review and he just rips it apart. But that's OK, measurements are measurements, that is not what bugs me. I learned in the early 70s that distortion numbers, etc, may not be that important to me. Then I read that he didn't even bother listening to the darn thing. That is what really bugs me. If something measures so poorly, wouldn't you want to correlate the measurements with what you hear? Do people still buy gear on measurements alone? I learned that can be a big mistake. I just don't get it, never have. Can anybody provide some insight to why some people are stuck on audio measurements? Help me package that so I can at least understand what they are thinking without dismissing them completely as a bunch of mislead sheep. 

128x128russ69

 

I have bee very clear with my comments on this thread that I value the listening experience far more than a reliance on test acquired measurements. You seem to have taken a counter position (As you questioned some of my ’supportive stance of listening’ replies in this thread). Frankly I’m not sure what exactly is the point you’re trying to make. Your last post is strange. Anyway as I’ve previously stated, just do what works best for you.

Charles

I suppose to find top shelf amps we have:

  1. Cost
  2. Looks
  3. Features
  4. Measured performance

I am trying to figure out how those amps that I have not heard of might be evaluated objectively in a 4,3,2,1 fashion… rather than in a 1,2,3 fashion?

Basically while you favour listening, I need to sort through the bevy of choices to get to a small enough list, so that I can then search for what might be close by. Then I can listen.
If you have all those amps close by, then it does seem easier or you to just listen.
(Plus you seem to totally discount measurements… so #4 is off your list.)

 

Frankly I’m not sure what exactly is the point you’re trying to make.

The other point is that Ralph’s description of what matters seemed to be dismissed out of hand. The more I read that measurements don’t matter, the more it makes me want to question whether the expert opinions from amp designers have merit.
Hence I bring it up.

  • This is impossible with a proper measurement set.

If they measure so close, I personally would not trust user listening tests unless they don't know what they are listening to. The potential to fool ourselves is too high.

  • I found this mindset short sighted and shallow  when advocated by the late Julian Hirsch decades ago and certainly even more so more so today. The distrust and dismissive mocking of  what a human being hears and yet pure allegiance to measurements. Two divergent camps, count me in with the listeners.
  • Charles 

The more I read that measurements don’t matter, the more it makes me want to question whether the expert opinions from amp designers have merit.
Hence I bring it up.

Maybe a 2nd reading is in q. I haven’t read anyone proclaiming measurements don’t matter. Rather the point is that measurements aren’t reliably predictive of what a given audio product will sound like. They do not replace the act of listening. Good night to all.

Charles

You keep mentioning divergent camps, and also the OP stated:

I don’t want to start a measurements vs listening war and I’d appreciate it if you guys don’t

But Ralph did point out where the measurements and the listening are at odds… and why they are at odds.

 

Can anybody provide some insight to why some people are stuck on audio measurements? Help me package that so I can at least understand what they are thinking without dismissing them completely as a bunch of mislead sheep

  • In SS or Class-D amps one wants pretty stunning measurements.
    • Otherwise even 90-100 dB+ SINAD can sound distressing depending on the TYPE of distortion.
  • In a tube amp, one could have a SINAD of say 60 and it would sound pretty likeable and musical if the lower order distortions are masking the higher order harmonics.

Basically we want no higher order harmonics, or if we “have to have them”, then we want to have them masked by lower order harmonics.
(And some IMD stuff related to feedback bandwidth gain product.)

If I got that wrong maybe @atmasphere can tidy up my understanding of it.

I found this mindset short sighted and shallow  when advocated by the late Julian Hirsch decades ago and certainly even more so more so today.

 

Things change. I think that was the 70s? We didn't have cell phones, or even personal computers.

I hear noise raised as an issue but to me it's a false issue for me and likely most. My system is dead quiet during silent portions of tracks. Other system issues? What are they if inaudible?

The camps are not as you describe them in your case and this topic. This is not about measurements defining a sound which I don't see anyone saying in this topic. It is about measurements being able to test the lumits of what is audible. As most audiophiles never test their claims of what they can hear, I see little reason to believe them.  If you want to define camps, I see the camps, primarily, as those that accept humans are fallible, variable, and whose perceptions are hence also fallible and variable, and those that do not.