Audio Research and Acme Audio Labs fuse


I’m toying with the idea of going down the rabbit hole of upgraded fuses.  Looking over the usual contenders I stumbled across Acme Audio Labs. Their philosophy of best bang for the buck certainly appeals to my wallet (@$20 a fuse).  One caveat, however, is they warn that their fuses aren’t for all components.  Specifically gear with “no inrush protection“ will cause their fuse to blow prematurely.  So my question to those reading this: 1) Any experience with Acme Audio Lab fuses, 2) do they “play well” with ARC, and 3) does ARC gear typically have inrush protection?  I’ll be experimenting with the fuses of a LS 27, PH 7, and a pair of VT 150 mono amps.




cmcdaniel5

ebm,

I have’nt had a SR Orange fuse but I do have an SR Purple fuse on order and have been using QSA Lightblue and Black fuses from tweek geek.

You know it’s really uncool to call a supplier/manufactures products ’Sound(s) like pure junk’. Have you tried the fuses? Of course not.

Some people may not need to try them.

Everyone has a right to make a living and your unfounded remarks just may cause a perspective buyer to think as such. Just saying.

That is like saying everyone has a right to eat, so if you are killed for your money, it is OK. Or everyone has a right to drugs, so if you are killed to fuel a drug addiction that is OK.

I suppose that the schusters have a right to rip people off "peacefully". But we have a right to call them rip-off artists and schusters. If they want to show that their crap works, then they can convince me with some facts. It is not my responsibility to prove that their crap does not work.

When I say I am sceptical that it works, it is not me who should be proving it doesn;t work.,.. that has been done a thousand times, and no amount of plot and measurement will convince you and your's that there is some unmeasurable magic that is beyond science.

(There actually is, and it is pyschology)

and your unfounded remarks just may cause a perspective buyer to think as such. Just saying.

If I help a prospective buyer, then I would feel pretty damned good about it. If they could donate 10% of what they save to a charity it would be even better.

Post removed 

It’s called a return policy for a refund! Not only that, you can pay by using pay pal, some other payment system or a debit card to get your money back. This is an audio hobby!

That has nothing, nothing to do with:

quasi psychology

drug addiction

being killed

plots

unmeasurable magic

alcohol

charity

blah, blah, blah, blah, blah

WTF man?! Get a grip! It’s $17 dollars! These days, you can barely buy a family pack of toilet paper for $17 dollars!

If it doesn’t work to your expectations send it back!

But don’t trash something that you haven't even tried or used.

WTF man?! Get a grip! It’s $17 dollars! These days, you can barely buy a family pack of toilet paper for $17 dollars!


That must be a Freudian slip?
Just consider the nay-sayers words as being like the TP.
(LTR)
 

Why don't we just defer to @cmcdaniel5 to report back as to whether he believe that they worked a treat on his ARC gear?

Also we do not know if @cmcdaniel5 , or anyone else, even contacted ARC as to what they recommend. This is in spite of responses 2, 3 and 4 saying to call ARC and the 4th providing the contact details.

My original post was how to determine whether inrush current was present on his amplifiers.

Anyhow, do the fuses work for you? And what did you hear when you put them in?

Well thought it time to report back.  Tried the fuses in the pre and phono pre amps. No lightening bolts from Zoltan nor balls of fire upon start up.   On the other hand really didn’t hear any night and day improvements in the sound either.  Despite this I felt it was a worthwhile experiment with little financial risk.   On the plus side am coming to the realization that my system as it stands is pretty darn good. Not to say that it’s perfect and a tweak here or there won’t yield benefits.  I’m, however, coming to understand that attainment of aural Nirvana is a subjective personal quest, bought at increasing cost with quickly diminishing returns.  Most importantly a rather unpleasant truth has come to the fore.  IMHO the greatest limitation to wonderful sound is not our playback equipment, but rather the choices made in the recording studio.  There are far too many mediocre recordings out there (both digital and analogue).  With this realization I’m putting upgrades on the back burner.  Instead I’m going spend time reading more record reviews, and best of all, sitting in the concert hall.