Sonus Faber Cremona Auditor old v new


Interested to hear from anyone who has traded up from the original SF Cremona Auditor to the Auditor M. What are your listening impressions, original versus new?

Bob R
rmrobinson1957
Huskolf, why would I think you are making this up ? I presented you with a frequency response curve for the M's, and you presented another review with a different frequency response. I like the curve you presented...it looks very similar to the Amati Anniversario's response curve (at least superficially).

Really odd...I hope Stereophile does a review. I think I am going to give the new M's a listen.

Also, at this level of refinement, personal choice is quite a big factor...in fact, I remember a person on this site who did extensive demos of the M's with the original Cremonas and ended up buying the non-M version.
Huskolf, in the review you posted, it says -3db at 51Hz...this speaker seems to be severely bass limited. This is also consistent with the hifnews review.

The older Cremona's went down much lower. $13K for a speaker that barely goes below 40Hz is a tough sell for me.
I know on paper it seems the M is lacking bass power and extension. But all the reviews I've read (there are some more German and Swizz reviews) say the bass goes deeper and is much better than that of the old Cremona. I guess numbers don't say everything, but I suppose the Cremona, as with almost all speakers in this price range, would benefit from a good subwoofer. I will soon try them out with a Velodyne DD15 sub.
Influence

That is just about the strangest thing i have ever read, my experince is the exact opposit.

I have demoed the elipsa cremona M and auditor cremona M, against the orginal cremona all well runned in at least 7 times with various different amps and sources and the very thing I dislikede most with the new sonus fabers are the aggresiv trebel region .
I have sensitiv ears also and the org cremona on the other hand is a very seductiv speaker in this region, yet still lest the detajls through and that very very rare.

At the time i was offerd to buy new org cremona and new cremona M at the same price , and bourgt the org cremona because it was the better speaker espicialy for my gear and the seductiv balanced sound.

The org cremona is a special speaker, very responsiv to what to drive it with, it will sound slow dark and muddy with the wrong gear but try with somthing like linn klimax and you will be in musical heaven.
The new sounded more or less the same no matter what amp we tried it with and that was great hifi, amazing bass hot trebel and not very musical.

The review you refere to are the elipsa (same tweeter as the M`S) and both stereophil and hificlube both bashed the elipsa for being to aggresiv and producing surthen unwanted frq in the trebel region just like i heard it and other to.

Try reading the reviews for the orginal cremona ,stereophil quate, Do you have a bad case of high-tech, metal-dome tweeteritis? Sonus Faber offers a cure. In the midrange and treble, the Cremona reminded me of a Sonus Faber minimonitor.


My dealer wich is very alternativ (so is his prices) tells me that alot of german SF dealers are complaning about the new sonus faber sound because of the lean sound espicialy in the trebel region ,and are looking for somthing to replace them , this was what the old sonus fabers where so special at , complet earpleasing sound you can listen to forever.

With all do respect it almost seems that you are mistaken the org for the new.

thanks
>

I've heard the old Cremona on four different amps, demo'ed by a dealer that has been selling these forever (that knows how to make them sound their best), and I've never heard them other than slow and muddy and overly soft. Granted, I've never heard them with Linn gear, but as I said before: if it's so fussy on which gear it will sound decent with, I'd rather have a speaker that sounds decent with almost any gear.
As regard to treble: many speakers I listened to (varied from Audio Physic Scorpio, via Focal Electra to Wilson Benesch, Living Voice and Thiel) sounded bright (some even harsh) compared to the new Cremona, whereas the old Cremona sounded soft, like a rounded off valve amp. The only drawback for me is the lack of really deep bass (but that's common with almost any speaker of this size) and perhaps the imaging could have been a tad sharper. Other than that: it's pricetag. ;-)